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A.M.

Wilco
Release Date: 09/29/2009
Original Release:  1995
# of Discs:   1
J&R Item # 183688_VY
UPC # 075597982954
Label: Sire Records (USA)
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Track Details Credits Reviews Artist Related Shipping
Disc: 1
1. I Must Be High sound samples  real  |  windows media
2. Casino Queen sound samples  real  |  windows media
3. Box Full of Letters sound samples  real  |  windows media
4. Shouldn't Be Ashamed sound samples  real  |  windows media
5. Pick up the Change sound samples  real  |  windows media
6. I Thought I Held You sound samples  real  |  windows media
7. That's Not the Issue sound samples  real  |  windows media
8. It's Just That Simple sound samples  real  |  windows media
9. Should've Been in Love sound samples  real  |  windows media
10. Passenger Side sound samples  real  |  windows media
11. Dash 7 sound samples  real  |  windows media
12. Blue Eyed Soul sound samples  real  |  windows media
13. Too Far Apart sound samples  real  |  windows media

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Performer: Wilco
Artist: Brian Henneman
Engineer: Brian Paulson; Wilco
Producer: Brian Paulson; Wilco
Distributor: WEA (Distributor)

Notes: Wilco: Jeff Tweedy (vocals, acoustic & electric guitars, bass); John Stirratt (vocals, acoustic guitar, piano, organ, bass); Max Johnston (vocals, banjo, dobro, mandolin, fiddle); Ken Coomer (vocals, drums). Additional personnel: Brian Henneman (vocals, guitar); Daniel Corrigan (vocals); Lloyd Maines (pedal steel guitar). Recorded at Easley Recording, Memphis, Tennessee. When Uncle Tupelo, the band that defined '90s alt-country, split into two camps, Jay Farrar's Son Volt took the relatively arty road while Jeff Tweedy upped the rock & roll grit quotient with Wilco. On Wilco's debut album, the band sounds righteously ragged, charging along behind Tweedy in a manner suggestive of the rootsier moments of the Stones and/or the Replacements. The occasional appearance of acoustic guitar, banjo or a 2/4 beat serves to remind us of Tweedy's roots. Still, A.M. has the sound of a band already well on their way to the gloriously chaotic rock & roll nirvana they would reach on the follow-up BEING THERE.
Rolling Stone (4/6/95, pp.62-64) - 3.5 Stars - Very Good - "...Wilco have made one hell of a country-guts debut....Just as classic country tells of...real life in everyday language...so does Tweedy's small-town worldview have an Everyman honesty..." Entertainment Weekly (4/7/95, pp.89-90) - "...Though [Wilco has] a '90s bleakness far removed from the sunny romanticism of the Byrds and Poco, [they] are following the same urge as those earlier acts: the need to sink roots into something more nourishing than mere rock & roll flash without losing their edge..." - Rating: B+ Q (9/00, p.135) - Included in Q's "Best Alt.Country Albums Of All Time" - "...A soundtrack for Midwestern teenagers out doing no good." Option (7-8/95, p.146) - "...The vocals are laidback and sometimes even strained, but the delivery only adds to the friendly familiarity of the album....Herein lies evidence that A.M. is as sound lyrically as it is musically..." Village Voice (2/20/96) - Ranked #34 in Village Voice's 1995 Pazz & Jop Critics' Poll.
When pioneering alt-country band Uncle Tupelo split in the mid-1990s, they broke off into two camps. Jay Farrar started the rootsy, twangy (if lyrically elliptical) Son Volt. Singer/songwriter/guitarist Jeff Tweedy, who co-led the band with Farrar, established himself anew with Wilco. Though Wilco initially offered country-influenced rock not unlike that of Tweedy's former outfit, they quickly progressed through the Stones-meet-Big Star shambling two-disc epic BEING THERE, the Beach Boys/Beatles-influenced pop of SUMMER TEETH, and the screwy, art-damaged, Jim O'Rourke-produced YANKEE HOTEL FOXTROT, whose release was notoriously delayed due to label apathy, though the album was eventually hailed as the group's masterpiece.
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