
Stockholm 1965 |
|||||
|
Bill Evans (Piano)
Release Date: 02/02/2010
Original Release:
2007
# of Discs:
1
Label: Lone Hill Jazz (Spain)
Disc: 1
1.
Around Midnight (I)
2.
What Is This Thing Called Love?
3.
Granadas
4.
Stella by Starlight
5.
All of You (II)
6.
Love Is Here to Stay
7.
Very Early
8.
Around Midnight (I)
9.
Funkallero
10.
I Should Care
11.
You and the Night and the Music
12.
Nardis
13.
Elsa
14.
All of You (I)
15.
Time Remembered
16.
Almost Blues
Performer: Bill Evans (Piano)
Distributor: n/a Notes: Personnel: Bill Evans (piano); John Richard Lewis (piano); Rune Carlsson, Jack DeJohnette (drums). Recording information: Gyllende Cirklen, Stockholm, Sweden (1965); New York, NY (1965). Arranger: John Richard Lewis. After touring Europe in early 1965 with his trio, Bill Evans came back to the U.S., made an album with the Claus Ogerman Orchestra and departed again for Europe, performing first in Berlin and then in Stockholm at the Golden Circle club, known locally as the Gyllende Cirklen. Recorded on somebody's funky little taping unit during the nights of November 15 and 19, 1965, the music heard on tracks one through thirteen document exactly how Bill Evans sounded in energetic collaboration with bassist Palle Danielsson and drummer Rune Carlsson. Although the sound quality is far from optimum, the spontaneous magic of collective improvisation certainly comes across. Three bonus tracks were rendered down from a 1968 television broadcast with a trio of Evans, Eddie G�mez and Jack DeJohnette, augmented on tracks 15 and 16 by the CBS Orchestra, and by John Lewis on a second piano during Lewis' "Almost Blues." "Granadas" was written by Spanish pianist and composer Enriqu� Granados (1867-1916). All of this rare stuff is quite intriguing, but some may object to the muddy and at times boxy sound quality of these archival tape recordings. ~ arwulf arwulf
One of the most original and influential pianists in jazz, Bill Evans possessed an intensely personal and lyrical approach. The release of his first records under his own name, as well as his appearance on Miles Davis's KIND OF BLUE, pushed Evans rapidly to the forefront of jazz piano. For much of his career--which began in the 1950s and spanned several decades--he worked exclusively with his own trios, which brought collective interplay to new heights and extended the vocabulary of post-bop jazz piano.
Also Appears On:
Similar Artist:
Beirach, Richie Bley, Paul Brackeen, Joanne Breau, Lenny Brookmeyer, Bob Brubeck, Dave Corea, Chick Davis, Miles Desmond, Paul Flanagan, Tommy Forman, Mitchel Fortune, Sonny Galper, Hal Getz, Stan (Sax) Giuffre, Jimmy Goldstein, Gil Hall, Jim Hancock, Herbie Hanna, Roland, Sir Hersch, Fred Higgins, Eddie Jarrett, Keith Konitz, Lee Lewis, John Lowe, Mundell Lyddon, Tim McLaughlin, John (Jazz) Mehldau, Brad Mingus, Charles Motian, Paul Nelson, Oliver Peterson, Oscar Shearing, George Story, Liz Towner, Ralph Tyner, McCoy Wheeler, Kenny Zeitlin, Denny |
|
||||

J.C.
See more Customer Testimonials
|
Send us your Feedback
|
Feedback Terms