Bring in 'da Noise Bring in 'da FunkOriginal Cast Recording
Release Date: 07/30/1996
Original Release:
1996
# of Discs:
1
J&R Item # 225927_CD
UPC # 090266856527
Label: RCA Victor Records (USA)
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Disc: 1
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Performer: Original Cast Recording
Engineer: Phil Gitomer Producer: James P. Nichols Distributor: BMG (distributor) Notes: Original cast includes: Ann Duquesnay, Jared Crawford, Raymond King, Savion Glover, Baakari Wilder, Jimmy Tate, Vincent Bingham, Dule Hill, Jeffrey Wright. Recorded live at the Ambassador Theatre, New York, New York on May 11, 1996. Includes liner notes by George C. Wolfe. BRING IN 'DA NOISE, BRING IN 'DA FUNK was nominated for a 1997 Grammy Award for Best Musical Show Album. Savion Glover's smash Broadway hit Bring in 'da Noise Bring in 'da Funk took critics by storm, and this album is a live recording of a performance of the show. The album progresses through five main movements of black history and tap. "In 'da Beginning" pertains to the slave era. "Urbanization" portrays the Chicago black scene. "Where's the Beat" deals with the progression of dancing. "Street Corner Symphony" deals with the new urban era, and "Noise/Funk" is a demonstration of the prowess of Glover and his comrades in hittin', the new style of tap created by Glover, which involves less of the visual show associated with dance, and serves primarily to create music with the sounds of the tap shoes, as well as associates on various objects (paint buckets, chains, fencing, etc.). In truth, stripped of the costuming and visual effects, the album becomes a large work of poetry, sounding at times like Stomp, with orchestral accompaniment and vocalists. The work can seem like musique concr�te at times, but retains a large musical interpretation of black culture, as well as some impressive percussion pieces, in the "Noise/Funk" section. The music is exceptional, but for the full power of the show, one really needs to see Savion Glover at work. ~ Adam Greenberg
New York Times (Publisher) (9/10/96, p.C11) - "...Instead of dance, the heart of the record becomes the show's rich mosaic of music, poetry and speech....the album successfully suggests a continuity among all the score's abrupt changes of style....the chameleon-voiced Ann Duquesnay does a remarkable job of bridging blues, gospel, folk and funk styles..."
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