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Money, Power & Respect [PA]

The LOX
Release Date: 01/13/1998
Original Release:  1998
# of Discs:   1
J&R Item # 242677_CD
UPC # 786127301526
Label: Bad Boy Entertainment
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Track Details Credits Reviews Related Shipping
Disc: 1
1. Yonkers Tale (Intro) - (Intro) sound samples  real  |  windows media
2. Livin' the Life sound samples  real  |  windows media
3. If You Think I'm Jiggy sound samples  real  |  windows media
4. Interview, Pt. 1 - (Interlude) sound samples  real  |  windows media
5. Money, Power & Respect - (featuring DMX/Lil' Kim) sound samples  real  |  windows media
6. Get This $ sound samples  real  |  windows media
7. Let's Start Rap Over - (featuring Carl Thomas) sound samples  real  |  windows media
8. Mad Rapper (Interlude) sound samples  real  |  windows media
9. I Wanna Thank You sound samples  real  |  windows media
10. Goin' Be Some Shit sound samples  real  |  windows media
11. Heist, Pt. 1, The sound samples  real  |  windows media
12. Not to Be Fucked With sound samples  real  |  windows media
13. Set-Up, The (Interlude) - (Interlude) sound samples  real  |  windows media
14. Bitches from Eastwick sound samples  real  |  windows media
15. Can't Stop, Won't Stop - (featuring Puff Daddy) sound samples  real  |  windows media
16. All for the Love sound samples  real  |  windows media
17. So Right - (featuring Kelly Price) sound samples  real  |  windows media
18. Snitch, The (Interlude) - (Interlude) sound samples  real  |  windows media
19. Everybody Wanna Rat sound samples  real  |  windows media
20. Interview, Pt. 2 - (Interlude) sound samples  real  |  windows media
21. We'll Always Love Big Poppa sound samples  real  |  windows media

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Performer: The LOX
Artist: Puff Daddy; Carl Thomas; DMX; Lil' Kim; Kelly Price
Distributor: WEA (Distributor)

Notes: Personnel includes: Kelly Price (vocals); Dame Grease (keyboards); Carl Thomas (background vocals); DMX, Lil' Kim, Puff Daddy. Producers include: Deric Angelettie, Sean "Puffy" Combs, Dame Grease, Nashiem Myrick, Carlos Broady. Engineers include: Stephen Dent, Michael Patterson, Doug Wilson. The Lox: Jay, Styles, Sheek. Additional personnel includes: DJ Iroc (scratches); Dent (programming); DMX, Lil' Kim, Carl Thomas, Kelly Price, Puff Daddy. Producers include: Deric "D-Dot" Angelettie, Sean "Puffy" Combs, Dame Grease, Nashiem Myrick, Carlos Broady. Engineers include: Stephen Dent, Michael Patterson, Doug Wilson. Recorded at Daddy's House Recording Studios, Sony Music Studios, Chung King Studios, The Hit Factory and Sound-On-Sound Recordings, Inc., New York, New York. The LOX: Jadakiss, Sheek, Styles P (rap vocals). Personnel: Kelly Price (vocals); Dame Grease (keyboards); Chucky Thompson (background vocals). Additional personnel: DMX, Lil' Kim, Puff Daddy, Carl Thomas (rap vocals); Kelly Price. Audio Mixers: Charles "Prince Charles" Alexander ; Stephen Dent; Lane Craven; Michael Patterson ; Tony Maserati; Bob Brockman. Recording information: Chung King Studios, New York, NY; Daddy's House Recording Studios, New York, NY; Hit Factory, New York, NY; Sony Music Studios, New York, NY. Photographer: Daniel Hastings. Unknown Contributor Roles: Groovy Lew; John Meredith. No, they're not something you put on a bagel. The Lox are the first rap group released on Bad Boy Entertainment. With MONEY, POWER & RESPECT, Bad Boy continues its hit streak, relying on true street ethics and flawless, rugged production. Defying the standard for most hip hop groups, the three MCs out of Yonkers, New York boast similar vocal styles, but still manage to complement each other through lyrical content. Although the Lox are touted as underground hip-hop, they have already shown their cross-over appeal on the Puff Daddy classic "It's All About The Benjamins." The Lox, which stands for Living On eXperience, deliver both their trademark hardcore style, on songs such as "Money, Power & Respect" and "Goin' Be Some Sh*t," and Puffy-influenced dance tracks, i.e. "So Right." No, they're not something you put on a bagel. The Lox are the first rap group released on Bad Boy Entertainment. With MONEY, POWER & RESPECT, Bad Boy continues its hit streak, relying on true street ethics and flawless, rugged production. Defying the standard for most hip hop groups, the three MCs out of Yonkers, New York boast similar vocal styles, but still manage to complement each other through lyrical content. Although the Lox are touted as underground hip-hop, they have already shown their cross-over appeal on the Puff Daddy classic "It's All About The Benjamins." The Lox, which stands for Living On eXperience, deliver both their trademark hardcore style, on songs such as "Money, Power & Respect" and "Goin' Be Some Sh*t," and Puffy-influenced dance tracks, i.e. "So Right."
Rolling Stone (3/5/98, p.65) - 3.5 Stars (out of 5) - "...It's a hardcore hip-hop album leavened by the party principle....It's whatever-works hip-hop, carried off in the same spirit that Puffy resurrects David Bowie or the Police for their bad bass lines..." Rolling Stone (3/5/98, p.65) - 3.5 Stars (out of 5) - "...It's a hardcore hip-hop album leavened by the party principle....It's whatever-works hip-hop, carried off in the same spirit that Puffy resurrects David Bowie or the Police for their bad bass lines..." Entertainment Weekly (2/13/98, p.70) - "...There's plenty of infectious, party-ready hooks on this debut, along with the same kind of hard-edged rhyming and lyrically vivid images Biggie found in the hood." - Rating: A- Entertainment Weekly (2/13/98, p.70) - "...There's plenty of infectious, party-ready hooks on this debut, along with the same kind of hard-edged rhyming and lyrically vivid images Biggie found in the hood." - Rating: A- The Source (3/98, p.187) - 3.5 Mics (out of 5) - "...From underdogs to favorites, from rags to riches, The Lox have finally done their part to prove that all the premature acclaim was justified..." The Source (3/98, p.187) - 3.5 Mics (out of 5) - "...From underdogs to favorites, from rags to riches, The Lox have finally done their part to prove that all the premature acclaim was justified..." Rap Pages (4/98, p.116) - 3 (out of 5) - "...The buzz surrounding them promised to bridge the chasm between underground and the commercial equation Bad Boy has capitalized..." Rap Pages (4/98, p.116) - 3 (out of 5) - "...The buzz surrounding them promised to bridge the chasm between underground and the commercial equation Bad Boy has capitalized..."
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PID # 3834137


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