Christmas on Death Row [PA]Various Artists
Release Date: 10/07/2003
Original Release:
1996
# of Discs:
1
J&R Item # 242698_CD
UPC # 728706301626
Label: Death Row (USA)
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Disc: 1
1.
Santa Claus Goes Straight to the Ghetto - Dat Nigga Daz/Nate Dogg/Snoop Dogg/Bad Azz/Tray Deee
To listen to sound clips, you'll need the most current version of the
Performer: Various Artists
Engineer: Lance Pierre; Travis Smith; Dave Aron; Kevyn Lewis; Michael Geiser; Rick Clifford; Matt Quave; Kevyn Lewis; Lance Pierre; Travis Smith; Dave Aron; Mike Geiser; Matthew Quave; Rick Clifford Producer: Snoop Dogg; Danny Boy; Roman Johnson; Dat Nigga Daz; Sean 'Barney' Thomas; Reggie Lamb; Kevyn Lewis; Kevyn Lewis; Snoop Dogg; Operation From The Bottom; Sean Barney Thomas; Danny Boy; Roman Johnson; Dat Nigga Daz; Reggie Lamb Distributor: E1 Distribution (USA) Notes: All tracks have been digitally remastered. Audio Mixers: Dave Aron; Sean "Barney" Thomas; Kevyn Lewis; Rick Clifford; Matthew Quave. Arrangers: Roman Johnson; Reggie Lamb; Kevyn Lewis. In theory, a holiday album by the most vulgar and violent rap label should be a wonderfully tasteless guilty pleasure, but Christmas on Death Row doesn't quite meet expectations. Part of the problem is that only a handful of cuts on the album are gangsta rap -- the majority of the album is dedicated to fairly ordinary post-new jack urban soul. Of course, the reason why G-funk is in such short demand on the album is the fact that producer Dr. Dre left the label several months before the album was recorded. Since he was the primary creative force on the label, particularly in terms of hardcore rap, the quality of their work isn't as strong as it was while he was with Death Row, which is painfully obvious on the cookie-cutter approach of most of the rap cuts. The urban tracks sound half-hearted as well, as if they are an attempt to keep pace with the ventures into soul that Dre was working on with his The Aftermath project. And that lack of vision means that Christmas on Death Row, which should have been crude and infectious, is merely plodding and predictable. A few tracks, such as Michel'le's "Silver Bells" and Snoop Doggy Dogg's "Santa Claus Goes to the Ghetto" are strong, but the entire project feels unnecessarily belabored. ~ Stephen Thomas Erlewine
Similar Genres:
Gangsta/Hardcore |