Everybody Come On OutStanley Turrentine
Release Date: 11/05/1996
Original Release:
1976
# of Discs:
1
J&R Item # 245356_CD
UPC # 025218691123
Label: Original Jazz Classics
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Disc: 1
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Performer: Stanley Turrentine
Artist: Joe Sample; Lee Ritenour; Harvey Mason Engineer: Eddie Bill Harris; Jackson Schwartz; Greg Venable Producer: Orrin Keepnews; Stanley Turrentine Distributor: Fantasy (distributor) Notes: Personnel: Stanley Turrentine, Joe Sample, Lee Ritenour, Craig McMullen, Paul Jackson, Harvey Mason, Bill Summers, Dawilli Gonga. Recorded in March 1976. Personnel: Stanley Turrentine (tenor saxophone); Craig McMullen, Lee Ritenour (guitar); Dorothy Ashby (harp); Winterton Garvey, Ken Yerke, Carl LaMagna, Mitchell Markowitz, Charles Veal, Robert Dubow, Michelle Grab, Robert Lipsett, Glen Dicterow, Janice Gower (violin); David Campbell , Arthur Royval, Pamela Goldsmith, Denyse Buffum (viola); Dennis Karmazyn, Ronald Cooper, David Speltz (cello); Dawilli Gonga (strings, horns, synthesizer); Bill Green (flute, English horn, baritone saxophone); Buddy Collette (flute, tenor saxophone); Chuck Findley (trumpet, slide trumpet, flugelhorn); Oscar Brashear, Bob Findley, Paul Hubinon (trumpet, flugelhorn); George Bohannon, Charles Loper (trombone); Lew McCreary (bass trombone); Joe Sample (piano, electric piano); Richard Feves (acoustic bass); Paul Jackson , Paul Jackson, Jr. (electric bass); Harvey Mason, Sr. (drums); Bill Summers (congas, bongos, percussion). Audio Remasterer: Joe Tarantino. Recording information: Devonshire Sound Studios, North Hollywood, CA (03/1976); Fantasy Studios, Berkeley, CA (03/1976). Photographer: Phil Bray. Arranger: Wade Marcus. Very large group session for Fantasy. ~ Michael Erlewine
Tenor saxophonist Stanley Turrentine possesses a big, slightly raw tone, and a powerful sense of swing, but is also quite at home with subtle expressions of tenderness. He achieved considerable success in the '60s working live and recording with Jimmy Smith and later, Shirley Scott. Together, they provided some of the finest examples of the tenor/organ soul-funk-jazz approach.
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