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Iron City

Grant Green
Release Date: 05/06/2003
Original Release:  1967
# of Discs:   1
J&R Item # 275382_CD
UPC # 795041722720
Label: Savoy Jazz (USA)
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Track Details Credits Artist Related Shipping
Disc: 1
1. Iron City sound samples  real  |  windows media
2. Samba de Orpheus sound samples  real  |  windows media
3. Old Man Moses (Let My People Go) sound samples  real  |  windows media
4. High Heeled Sneakers sound samples  real  |  windows media
5. Motherless Child sound samples  real  |  windows media
6. Work Song sound samples  real  |  windows media

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Performer: Grant Green
Artist: John Patton
Producer: Joel Dorn (Reissue)
Distributor: WEA (Distributor)

Notes: Personnel: Grant Green (guitar); Big John Patton (organ); Ben Dixon (drums). Originally released on Cobblestone Records (9002). Includes liner notes by Mark Gardner, Lance Goler and Joel Dorn. Digitally remastered by Gene Paul (DB Plus Digital Services, New York, New York). Although his most famous records were made on Blue Note, Grant Green's IRON CITY, which was originally released on Cobblestone and later Muse Records, is arguably the best of his mid-period output. Recorded in 1967, this is a trio session with Big John Patton showing some amazing skills on Hammond organ and Ben Dixon on drums. Together they form the consummate organ trio that was the basis of the soul-jazz movement. Green is masterful throughout, showing tremendous dexterity, expression, and fire. His dancing lines on exciting cuts like the nimble "Samba De Orpheus" and the ultra-funky "High Heeled Sneakers" are excellent examples of his influential single-line soling technique. Patton is exceptional as well; his powerful work on these and Nat Adderley's "Work Song" are prime examples of his own mastery of the organ. Of special note is the trio's moving rendition of the traditional "Motherless Child." In all, this is classic Grant Green, classic soul, and classic fun.
St. Louis-born guitarist Grant Green was a giant of what came to be known as soul-jazz. His singular style incorporated the influences of Gospel, blues, and R&B, and defined a unique post-bop language for electric guitar. His classic early-1960s Blue Note recordings are high-water marks of both the soul-jazz sound and of jazz guitar in general. Drug abuse sadly hampered his later career; he died in 1979, but his son, the jazz guitarist Grant Green, Jr., continues his legacy.
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PID # 3840897


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