Paranoid

Performer: Black Sabbath
Engineer: Tony Allom; Brian Humphries
Producer: Rodger Bain
Distributor: WEA (Distributor)

Notes: Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass instrument); Bill Ward (drums). PARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, "War Pigs," or the lumbering thud of "Iron Man" (which boasts one of the most indelible electric guitar riffs in rock history). The album's title is apt: PARANOID is filled with an edgy aggression and lyrics about war, insanity, death, and destruction. Ozzy Osbourne's flat, affectless voice merges perfectly with Tony Iommi's fuzzed-out, sledgehammer power chords and the bruising bass and drum lines to create an intense, freaky, horror-show universe. There are elements of blues-rock and psychedelia (the floating "Planet Caravan," in particular), but Black Sabbath basically invents here what would become one of the most popular genres of music in the latter 20th century and beyond. Even after the millions of heavy metal albums that have followed in its wake, PARANOID stands as an all-time classic.

Rolling Stone (12/11/03, p.126) - Ranked #130 in Rolling Stone's "500 Greatest Albums Of All Time" Spin (p.89) - "Ozzy saw heavy rock as a way to emulate the horrors of a fallen world..." Q (12/99, p.170) - Included in Q Magazine's Best Gothic Albums Of All Time - "...[They] stamped their bombastic and doom-laden imprint on British rock forever..." Vibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th Century Kerrang (Magazine) (p.52) - "[With] classic after classic, the strange, lost, almost sobbing vocals of a young Ozzy Osbourne floating over a skulking rhythm section and grim, lurching riffs." Record Collector (magazine) (p.93) - 5 stars out of 5 -- "With sharper edges and nastier riffs than Sabbath's much bigger contemporaries Led Zeppelin and Deep Purple, the album made it clear to any doubters that heavy metal didn't just have to be about hobbits and sports cars."

Known worldwide as the embodiment of heavy metal, England's Black Sabbath enveloped the 1970s in a dense fog of apocalyptic imagery, monolithic guitar riffs, and horror-movie lyrics. When frontman Ozzy Osbourne left the band in 1979 for a highly successful solo career, the band soldiered on with a number of replacements, including Rainbow's Ronnie James Dio. In 1997, Ozzy and his former bandmates staged a much-publicized reunion. In the 2000s, when Ozzy got busy with solo recordings, Ozzfest, and his reality show THE OSBOURNES, Dio stepped in once again to front another incarnation of the band.

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