Hub-Tones [Bonus Tracks] [Remaster]Freddie Hubbard
Release Date: 05/18/1999
Original Release:
1962
# of Discs:
1
J&R Item # 328092_CD
UPC # 724349900820
Label: Blue Note Records (USA)
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: Freddie Hubbard
Artist: James Spaulding; Herbie Hancock; Reggie Workman Engineer: Rudy VanGelder Distributor: EMI Music Distribution Notes: The Rudy Van Gelder Edition of HUB-TONES includes an essay by Bob Blumenthal. Personnel: Freddie Hubbard (trumpet); James Spaulding (alto saxophone, flute); Herbie Hancock (piano); Reggie Workman (bass); Clifford Jarvis (drums). Producer: Alfred Lion. Reissue producer: Michael Cuscuna. Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on October 10, 1962. Originally released on Blue Note (84115). Includes liner notes by Joe Goldberg and Bob Blumenthal. Digitally remastered using 24-bit technology by Rudy Van Gelder (1998, Van Gelder Studio, Englewood Cliffs, New Jersey). This is part of the Blue Note Rudy Van Gelder Editions series. Personnel: Freddie Hubbard (trumpet); James Spaulding (flute, alto saxophone); Herbie Hancock (piano); Clifford Jarvis (drums). Liner Note Author: Joe Goldberg. Recording information: 10/10/1962. Freddie Hubbard's HUB-TONES, a consummate Blue Note date from the early '60s, is the trumpeter's most highly acclaimed disc. Hubbard fronts a standard quintet here, with fine support from James Spaulding, Herbie Hancock, Reggie Workman, and Clifford Jarvis. The trumpeter's style is more clearly defined than on past efforts with a signature approach that Hubbard would continue throughout the remainder of the hard bop era. Indeed, this particular session signaled Hubbard's arrival as one of the giants of the trumpet and a leader of modern jazz. Significantly, HUB-TONES establishes Hubbard as a masterful composer as well as an interpreter of standards. The opening "You're My Everything" is one of the latter, but the remainder of the cuts are Hubbard's. The lightly swinging "Prophet Jennings" features a muted melody accompanied by Spaulding's delicate flute. The classic title track, presented here in two takes, is the disc's highlight; a raucous, machine gun-like head that opens up into a burning solo session featuring stunning work by all. The moving "Lament For Booker" follows, showcasing Hubbard's velvety ballad style with tasteful support from Spaulding and Hancock. Finally, the fiery "For Spee's Sake" wraps up this essential session. Trumpeter Freddie Hubbard teams up on record with James Spaulding (who doubles on alto and flute) for the first time on this excellent set. With the assistance of pianist Herbie Hancock, bassist Reggie Workman, and drummer Clifford Jarvis, the quintet performs four of the trumpeter's originals (including "Lament for Booker" and the title cut) plus an advanced version of the standard "You're My Everything." John Coltrane's modal music was starting to influence Hubbard's conception and his own playing was pushing ahead the modern mainstream without really entering the avant-garde. ~ Scott Yanow
Freddie Hubbard has always been a trumpet player of great facility, suppleness, and polish. Following his breakthrough with the Jazz Messengers in the late '50s, his burnished tone became a focal point of innumerable Blue Note albums of the '60s, both as leader and sideman. After a foray into fusion in the '70s, he returned to the hard bop of his early career.
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