My Old Flame

Performer: Stan Getz
Artist: Lou Levy; Monty Ludwig; Victor Lewis
Engineer: Phil Edwards
Producer: Carl E. Jefferson; Stan Getz
Distributor: Universal Distribution

Notes: Originally released as 2 separate CDs: THE DOLPHIN/SPING IS HERE. Personnel: Stan Getz (tenor saxophone); Lou Levy (piano); Monty Ludwig (bass); Victor Lewis (drums). Recorded live at Keystone Korner, San Francisco, California in 1981. Includes liner notes by Leonard Feather & Steve Getz. Stan Getz' May 1981 appearance at San Francisco's Keystone Corner resulted in two albums on Concord Jazz. First, Concord provided The Dolphin in 1981, and in 1992 (the year after his death from cancer) seven more Keystone performances were released as Spring Is Here. In 2001, Concord combined those albums on My Old Flame. If you already have Spring Is Here and the CD reissue of The Dolphin, obtaining this two-CD set won't be necessary. But if not, My Old Flame is easily recommended. During his long career, Getz was impressively consistent -- the lyrical, Lester Young-influenced tenor man rarely recorded a weak album, and his 1980s recordings often found him in excellent form. My Old Flame is no exception; backed by pianist Lou Levy, bassist Monty Budwig (who is incorrectly listed as Monty Ludwig in the credits), and drummer Victor Lewis, Getz is equally compelling on up-tempo material (including "How About You" and "Old Devil Moon") and ballads. Getz could really pour his heart into ballads, which is exactly what he does on "Easy Living," "You're Blas�," and the title track. Despite its excellence, My Old Flame falls short of essential -- the saxman gave listeners many excellent albums, but excellent doesn't necessarily mean essential. Nonetheless, Getz's hardcore fans will find these Keystone performances to be delightful. ~ Alex Henderson

Tenor saxophonist Stan Getz possessed a full, luxuriant tone and a highly melodic improvisational sense. Though he produced consistently rewarding music for the duration of his near 50-year career, he achieved the greatest success in the early '60s when he led the American part of the bossa nova explosion. Indeed, this brilliant fusion of jazz and Brazilian rhythms yielded the tune, "The Girl From Ipanema," which became one of the biggest selling jazz records in history.

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