Hourglass

Performer: James Taylor (Popular)
Artist: Sting; Shawn Colvin; Ross Traut; Yo-Yo Ma; Valerie Carter; Branford Marsalis; David Lasley; Stevie Wonder; Michael Brecker
Engineer: Frank Filipetti
Producer: Frank Filipetti; James Taylor
Distributor: Sony Music Distribution (

Notes: This is a multi-channel Super Audio CD playable only on Super Audio CD players. Personnel: James Taylor (vocals, acoustic guitar, harmonica, penny whistle); Valerie Carter, David Lasley, Kate Markowitz, Arnold McCuller, Shawn Colvin, Jill Dell'Abate, Sting (vocals); Bob Mann (guitar); Dan Dugmore (pedal steel guitar); Ross Traut (high strung guitar); Mark O'Connor (fiddle); Yo-Yo Ma (cello); Stevie Wonder (harmonica); Branford Marsalis (soprano & alto saxophones); Michael Brecker (tenor saxophone); Clifford Carter (keyboards); Jimmy Johnson (bass); Edgar Meyer (acoustic bass); Carlos Vega (drums, percussion). Recorded at Chalker's Creek, Martha's Vineyard, Massachusetts; Westlake Audio, Los Angeles, California; Right Track Studios, New York, New York. HOURGLASS won the 1998 Grammy Awards for Best Pop Album and for Best Engineered Album, Non-Classical. This is a Super Audio CD playable only on Super Audio CD players. James Taylor is the godfather of the sensitive singer-songwriter movement of the '70s that clogged the charts with introspective folk-rock ballads and kept scores of troubadour manques up to their well-studied navels in champagne and caviar. He was the Nirvana to that generation's Bush and Stone Temple Pilots, an innovator besieged by imitators. But his '70s-godhead status hasn't hurt him any; he just keeps confessing and crooning on. HOURGLASS more or less follows the path of the last several Taylor releases: precisely articulated, carefully constructed songs that favor soft, muted colors over anything too brash or aggressive; and sinuous, literary songs delivered in Taylor's smooth, relaxed croon. True to form, Taylor pushes all the right boomer buttons on HOURGLASS. The opening cut begins with Richard Nixon's impeachment, and then turns into the kind of inward-looking self-exploration that is Taylor's specialty.

Rolling Stone (5/29/97, p.49) - 3.5 Stars (out of 5) - "...HOURGLASS glows with the wistful contentment of a man who has lived fully and learned well....change and rebirth are recurring themes..." Entertainment Weekly (5/23/97, p.64) - "...contains few musical surprises. But fans will find it utterly warm and comforting....And his happiness at just singin' is palpable." - Rating: B

James Taylor was the archetype for the gentle, inward-looking singer/songwriter movement of the early '70s. The easy lilt and timbre of Taylor's voice belies the complex emotional content of his songs, which aren't merely carefree folk-based odes, but instead look unflinchingly at a flawed man's journey through life. It's a tribute to his knack for making great pop records that he managed a long, decade-plus string of big hits. Taylor remained relevant long after his impressive run of top 40 hits, recording numerous million-selling records in the '90s & '00s and winning multiple Grammys.

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