Apocalypse Now Redux

Performer: Original Soundtrack/Carmine Coppola
Engineer: Dan Healy; Bill Steele; Richard Beggs; Steve Mantoani; Jim Austin; Stacy Baird; Brett Cohen; Ken Kessie; Leslie Ann Jones; Phil Yeend; Betty Cantor-Jackson; Bob Matthews
Producer: Richard Beggs; Richard Beggs
Distributor: WEA (Distributor)

Notes: Original score composed by Carmine Coppola and Francis Copolla. Personnel includes: Randy Hansen (guitar); Carmine Copolla (flute); Patrick Gleeson, Richard Beggs, Benard L. Krause, Ed Goldfarb, Don Preston, Shirley Walker, Nyle Steiner (synthesizer); Mickey Hart (percussion); The Rhythm Devils. Includes liner notes by Francis Coppola. Personnel: Carmine Coppola (flute); Sheila Ellis, Jeanie Tracy (vocals); Randy Hansen (guitar); Ed Goldfarb, Don Preston , Nyle Steiner, Richard Beggs, Patrick Gleeson, Shirley Walker (synthesizer). Audio Mixer: Richard Beggs. Liner Note Author: Francis Ford Coppola. Recording information: American Zoetrope Studios, San Francisco, CA; CBS Studio Center, Los Angeles, CA; Club Front, San Rafael, CA; Different Fur Music, San Francisco, CA; The Automatt, San Francisco, CA. Photographer: Josh Weiner. With Francis Ford Coppola's expanded Apocalypse Now Redux came the release of the film's electronic score, complete with newly recorded music to cover the added scenes. The original 1979 soundtrack album contained most of Martin Sheen's narration as well as dialogue and sound effects from the movie, functioning more as a souvenir than a musical listening experience and drowning out a lot of Carmine Coppola's music. The new release finally features just the underscore along with other pivotal music cues, including "The End" by the Doors, "Susie Q," and the stirring "Ride of the Valkyries." Originally written for a full orchestra and then realized on synthesizers, the music for Apocalypse Now Redux tends to sound dated and somewhat sterile, even while the recording itself is particularly crisp. Still, it's an interesting and welcome CD (especially for hardcore devotees of the film), even if the "Love Theme" for one of the film's new scenes sticks out like a sore thumb and Mickey Hart's contributions (with the Diga Rhythm Devils) are all too brief. ~ Neil Shurley

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