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Performer: Odetta
Artist: Clarence "Gatemouth" Brown; Henry Butler; Kim Wilson
Distributor: E1 Distribution (USA)

Notes: Personnel includes: Odetta, Clarence "Gatemouth" Brown, Henry Butler, Kim Wilson. Harry Belafonte once wrote of blues singer Odetta: "Few possess the fine understanding of a song's meaning which transforms it from a melody into a dramatic experience." Pete Seeger heard this collection and declared, "I've been waiting for this album for 50 years!" In continuing her tribute to the classics, Odetta turns her legendary vocal talents to the songs of Huddie Ledbetter, better known to blues history as "Leadbelly." Like Odetta herself, Leadbelly was far more than just a blues singer. His repertoire ranged from children's songs to folk ballads, protest songs to work songs, gospel to jazz. Odetta tackles a handful of his classics in her own distinctive style, with moods ranging from melancholy and emotional (the mandolin-enhanced, saloon-flavored "Mother's Blues") to spirited and humorous ("When I Was a Cowboy"). Many of these songs have great historical significance, from the old folk tune "In the Pines" (which features Seth Farber's stellar piano accompaniment) to the Jim Crow protest song "Bourgeois Blues" (given a lively, New Orleans-flavored treatment). Fans of Leadbelly's music will also enjoy the liner notes, which go into detail about the origins of each song. ~ Jonathan Widran

Living Blues (11-12/01, pp.68-9) - "...Odetta is still able to transform the most standard blues number into her own tour de force..."

Taking inspiration from classic blues singers and folk troubadours of the 1930s and '40s and predating the folk boom of the '60s, Odetta remains one of the most important yet often overlooked artists of the American musical tradition. Her unique, politically charged fusion of blues, traditional Negro spirituals, and American folk songs was a profound influence on a generation of artists from Bob Dylan and Joan Baez to Tracy Chapman. Odetta continued to perform well after her heyday, remaining both fiercely political and artistically engaging.

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