The Guitar & Banjo of Reverend Gary Davis

Performer: Rev. Gary Davis
Engineer: Rudy Van Gelder
Distributor: Fantasy (distributor)

Notes: Recorded in Englewood Cliffs, New Jersey, on March 2, 1954. Because this is an all-instrumental recording, it's an offbeat entry into the catalog of a performer known both as an important guitarist and as a singer. Some might miss Davis' vocals on this 1964 recording, but on the other hand there are plenty of records with him singing around. This gives listeners a chance to hone in on his dexterous guitar skills, blending ragtime, folk, and blues, usually on guitar (though he plays banjo on a couple of songs, and harmonica on one). "Maple Leaf Rag" is a natural showcase for Davis' talents, and "Candy Man," which may be his most well-known song, is here presented without words, making for an interesting juxtaposition with more commonly heard versions on which he (or others) sings. As further evidence of his eclecticism, there's a version of "United States March aka Soldier's Drill" -- not the best format for his strengths, certainly, but an illustration of his ability to adapt his style to unexpected material. ~ Richie Unterberger

Blind blues guitarist Reverend Gary Davis is one of the most influential bluesmen in terms of the evolution of folk and rock fingerpicking. A key member of the Piedmont blues movement of the 1920s and '30s, Davis put his own upbeat yet simplistic spin on the rural picking style that marked that scene's sound. Davis moved to New York City in the 1940s where he recorded for the famed Folkways label, eventually becoming a darling of the folk revival that would explode in the coming decades. Everyone from Bob Dylan and Dave Van Ronk to Taj Mahal, Jackson Browne, and Bob Weir of the Grateful Dead cite Davis as an influence.

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