Happy Hits: 1949-1957

Performer: Doris Day
Artist: Buddy Clark; Johnnie Ray; Guy Mitchell; Donald O'Connor
Distributor: Gotham Distributing Corp.

Notes: Recorded between 1948 & 1959. Liner Note Author: Al Fichera. Recording information: 12/20/1948-01/12/1959. Doris Day fans have reason to celebrate Collectables' simultaneously issued trio of releases of lesser-known Day material: Ballads and Love Songs From the Early Years: 1947 to 1951, The 1960s Singles, and this one, which presents up-tempo and novelty songs. While compilations often serve the needs of casual fans who just want the hits, bigger fans often despair that the same popular songs get anthologized over and over, while obscure tunes languish on out-of-print LPs and singles. Such has been the case with some of the recordings here. The word "hits" appears in the title, and half of these tracks did reach the charts, but none got into the Top Ten. Day was an accomplished singer of just about anything that Columbia A&R directors like Mitch Miller could throw at her, but she remains better remembered for her ballad performances than for the sort of songs she performs here. Miller scored hits on Rosemary Clooney with ethnic novelties like "Kay-Muleta," but Day handles it as well as Clooney might have, and she is equally uninhibited about taking on an onomatopoeic effort like "Ooh Bang Jiggly Jang." She also does fine with country and even polka tunes. By the mid-'50s, Miller has her trying numbers like "Two Hearts, Two Kisses (Make One Love)" and "Walk a Chalk Line" that, while not exactly rock & roll, certainly display an R&B influence. And she proves willing to share the spotlight with a variety of duet partners, including Johnnie Ray, Donald O'Connor, Buddy Clark, and even orchestra leader Ray Noble on "Save a Little Sunbeam (For a Rainy, Rainy Day)." This is not the best of Doris Day, by any means, but it shows off a different side of her talent (actually, several different sides) and is worth hearing to appreciate her fully. ~ William Ruhlmann

Regarded as a beloved film icon, the effervescently blonde Doris Day was a sort of Betty to Marilyn Monroe's Veronica, and starred in a series of popular movie romps from the early 1950s through the early `60s. But before that, she'd had a flourishing career as a radio personality and vocalist, most notably with bandleader Les Brown. She enjoyed several big hits, including the sweet singalong "Que Sera Sera" and her signature tune "Sentimental Journey," which she recorded several times. For the most part, Day retired from moviemaking and recording on the cusp of the `70s, during which her appeal was not in step with the zeitgeist, and has only reemerged professionally a few times since.

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