DuetsGeorge Shearing
Release Date: 03/12/2002
Original Release:
2002
# of Discs:
1
J&R Item # 447467_CD
UPC # 013431212126
Label: Concord Jazz
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Disc: 1
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Performer: George Shearing
Artist: Ernestine Anderson; Jim Hall; Hank Jones; Carmen McRae; Mel Torme Producer: Nick Phillips (Compilation) Distributor: Universal Distribution Notes: Personnel: George Shearing (piano); Mel Torme, Ernestine Anderson, Carmen McRae (vocals); Hank Jones, Marian McPartland (piano); Jim Hall (guitar); Neil Swanson, Brian Torff (bass); Jeff Hamilton, Donny Osbourne (drums). Recorded between 1980 & 1991. Includes liner notes by Fred Bouchard. Personnel: George Shearing (piano); Ernestine Anderson, Mel Torm�, Carmen McRae (vocals); Jim Hall (guitar); Hank Jones , Marian McPartland (piano); Jeff Hamilton , Donny Osborne (drums). Liner Note Author: Fred Bouchard. Record labels occasionally recycle older material for a number of reasons, some good and some not so good. Concord's logic has been simple: Why not compile an album around a specific aspect of an artist's style? Duets emphasizes pianist George Shearing's knack for accompanying singers, guitarists, and pianists in an intimate setting. The idea of only including duet material, however, isn't strictly adhered to. On the first cut, "I Could Write a Book," with Mel Torm�, two other players join in, making the group a quartet. The cut nonetheless displays how well Shearing and Torm�'s styles complement each other. There are other variations -- a trio and a quartet -- along the way, but this doesn't really detract from the theme. Among the strict duo pieces, there are lovely renderings of "I Hear a Rhapsody" and "Emily" with guitarist Jim Hall. Both players have a complementary light touch and their clean lines are the epitome of cool jazz. Pianist Hank Jones adds a bit of muscle on "Lonely Moments," resulting in heavy rhythms and joyful leads reminding one of ragtime and Fats Waller. "You Don't Know What Love Is" finds both pianists in a quieter, late-night mood, offering a smooth intertwining of lead and rhythm. There are also pairings with pianists Marian McPartland, and vocalists Carmen McRae and Ernestine Anderson. Duets gives the fan a chance to revisit a number of intimate Shearing recordings, while providing the casual jazz listener with a good introduction to a number of fine artists. ~ Ronnie D. Lankford, Jr.
London-born George Shearing was a classically trained pianist when he began to absorb the work of the great jazz pianists from records, and brought his training and natural improvisational gifts with him to New York in the late '40s. The historic quintet (piano, vibes, guitar, bass, drums) he led at that time was among the first small jazz groups to achieve widespread popularity. In the late '50s, while performing classical work with symphony orchestras, he would sometimes include arrangements that featured his quintet.
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Broadbent, Alan Brubeck, Dave Burton, Gary (Vibes) Donegan, Dorothy Feinstein, Michael Jamal, Ahmad Lee, Peggy (Vocals) Pass, Joe Thielemans, Toots Tjader, Cal Torff, Brian Q. Torme, Mel Zawinul, Joe
Influences:
Basie, Count Boogie Buckner, Milt Evans, Bill (Piano) Garner, Erroll Hines, Earl Jones, Hank (Jazz) Powell, Bud Silver, Horace Tatum, Art Tristano, Lennie Waller, Fats Wilson, Teddy
Similar Genres:
Piano |