GutterflowerThe Goo Goo Dolls
Release Date: 04/09/2002
Original Release:
2002
# of Discs:
1
J&R Item # 448419_CD
UPC # 093624820628
Label: Warner Bros. Records (Record Label)
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: The Goo Goo Dolls
Engineer: Kevin Meeker; Jimmy Hoyson; Ken Allardyce; Allen Sides; Steve Genewick Producer: Goo Goo Dolls; Rob Cavallo Distributor: WEA (Distributor) Notes: This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Goo Goo Dolls: Johnny Rzeznik (vocals, guitar); Robby Takac (bass, background vocals); Mike Malinin (drums). Additional personnel includes: Tim Pierce (guitar); Kim Bullard, Doug McKean (programming); Luis Conte, Greg Suran, Jamie Muhoberac, Rob Cavallo. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Personnel: Johnny Rzeznik (vocals, guitar); Robby Takac (vocals); Mike Malinin (drums); Doug McKean, Kim Bullard (programming). Audio Mixers: Ed Cherney; Tom Lord-Alge. Recording information: Capitol Studios, Hollywood, CA; House Of Blues Studios, Encino, CA. Photographers: Mick Haggerty; Bob Mussell; Dean Karr. When the Goo Goo Dolls solidified their place in the pop mainstream with 1998's DIZZY UP THE GIRL, one of the casualties was frontman Johnny Rzeznik's marriage. For the band's 2002 follow-up GUTTERFLOWER, Rzeznik channeled his feelings into a set of songs steeped in the Goo's mastery of hook-ridden, rock-edged pop. Lines like "How does it feel when you're out on your own/And now it's too late to come home" on the Pearl Jam-flavored "What A Scene" and "I'm torn in pieces/I'm blind and waiting for you" on the catchy and whip-smart "Big Machine" are self-explanatory. For more emotional turbulence, see the mandolin-soaked delicacy of "Sympathy" and the epic "Truth Is A Whisper" with its driven tempo and churning guitars. Bassist Robby Takac claims a third of the songwriting credit on GUTTERFLOWER and proves to be as talented as his Rzeznik at crafting memorable cuts. Delivering the goods with a higher-pitched rasp than Rzeznik, Takac shines on the INXS pop-funk of "Up, Up, Up," soaring ear-candy "Smash" and punkier abandon of "Tucked Away." Cultivators of aggressive guitar-pop with an adult edge, The Goo Dolls once again score with the bittersweet bud that is GUTTERFLOWER.
Rolling Stone (4/25/02, pp.77-8) - 3.5 stars out of 5 - "...Proves once again that they are masters at crafting instantly appealing pop songs, admittedly no small gift in itself..."
Q (May 2002, p.112) - 3 out of 5 stars - "...Their polished din...sounds like a more bombastic precursor to those punk-pop bands...enjoying an Indian summer on [British] shores..."
The angst-ridden alt-rock that bands like Nirvana popularized in the early-1990s eventually branched off into a softer, more mature sound with such groups as the Goo Goo Dolls. Formed in Buffalo, New York in the 1980s, as raw and rowdy Replacements-style rockers, Johnny Rzeznik and company hit paydirt a decade later with the pop ballads "Name" and "Iris." They would remain steady hitmakers for over a decade.
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