Nobody But Lou/Lou Rawls and StringsLou Rawls
Release Date: 05/07/2002
Original Release:
2002
# of Discs:
1
J&R Item # 451254_CD
UPC # 090431284728
Label: Collectables Records
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Disc: 1
16.
Now and Then There's a Fool Such as I
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Performer: Lou Rawls
Artist: Benny Carter Distributor: Gotham Distributing Corp. Notes: 2 LPs on 1 CD: NOBODY BUT LOU (1965)/LOU RAWLS & STRINGS (1965). Personnel includes: Lou Rawls (vocals); Benny Carter (arranger, conductor). Originally released on Capitol (2273) & Capitol (2401). Lou Rawls made five albums for Capitol Records between 1962 and 1965 before achieving commercial success in 1966. This discount-priced two-fer combines the fourth and fifth of those albums. In them, one gets a glimpse of the evolution of Capitol's view of Rawls as a singer. Rawls himself doesn't change, as ever applying his deep, rich voice and swinging manner to the material, but the music around him does change. Although both albums employ jazz veteran Benny Carter as arranger/conductor, Carter seems to have had different marching orders for each one. On Nobody but Lou, he has organized a big band � la Count Basie for a set of charts that emphasize Rawls' similarity to former Basie vocalist Joe Williams. This is a hard-swinging session, with plenty of room for instrumental soloing and arrangements that echo the up-tempo blues style of Williams' hits like "Everyday I Have the Blues." At times, if you didn't know who was singing, Williams would be your first guess. Nobody but Lou didn't sell, but Rawls did get a minor chart entry in 1965 with a revival of the 1920s standard "Three O'Clock in the Morning," which seems to have inspired Capitol to authorize a full-length album in the same vein. Lou Rawls and Strings finds Rawls performing a bunch of other '20s songs and a couple of tunes from the '50s accompanied by horns, strings, and a vocal chorus. Carter manages to make things swing now and then, but this is a much more pop-oriented set than its predecessor, even though Rawls makes repeated attempts to customize the material to his own purposes. Together, these albums show a Lou Rawls in his late twenties looking for a style to call his own. He doesn't quite succeed, but there is some good music nevertheless. ~ William Ruhlmann
Living Blues (9-10/02, p.80) - "...Benny Carter arranged these 2 LPs with a big band swing that beautifully suited the singer's suave delivery. The albums coexist elegantly..."
Chicago-born soulster Lou Rawls was one of the most popular and versatile singers in pop music during the 1960s and '70s. His distinctive baritone, as well-suited to pop and jazz as it was to straight soul, formed a seductive blend of silk and gravel, and made a fan out of, among others, Frank Sinatra. Rawls lent his unique style to some of the biggest names in the music business, including David Axelrod and Gamble & Huff. His later career was marked by occasional acting gigs as well his work with the United Negro College Fund. When Rawls died of lung cancer in early 2006, the music world lost a genuine treasure.
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Adderley, Cannonball Brown, Maxine Butler, Jerry Charles, Ray Conley, Arthur Cooke, Sam Covay, Don D'Angelo Gamble & Huff Hamilton, Roy Hathaway, Donny Huff, Leon (Producer/Keyboards) Impressions (The) Ingram, James (Vocals/Keys) Jackson, Chuck Jeffries, Herb John, Mable Jones, Etta King, Ben E. Mayfield, Percy McCann, Les McKnight, Brian Paul, Billy Pendergrass, Teddy People's Choice Pilgrim Travelers Redding, Otis Scott-Heron, Gil Siffre, Labi Smith, O.C. Tate, Grady Taylor, Johnnie Vandross, Luther White, Barry Wilson, Nancy
Influences:
Brown, Oscar, Jr. Cole, Nat "King" Cooke, Sam Davis, Sammy, Jr. Dixie Hummingbirds (The) Hartman, Johnny Hendricks, Jon Mills Brothers Sinatra, Frank Williams, Joe (Vocals) Witherspoon, Jimmy
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