20th Century Masters - The Millennium Collection: The Best of Burning Spear

Performer: Burning Spear
Distributor: Universal Distribution

Notes: Burning Spear includes: Winston Rodney (vocals). Producers: Winston Rodney, Lawrence "Jack Ruby" Lindo, Karl Pitterson, Nelson Miller. Compilation producer: Dana G. Smart. Recorded between 1975 & 1991. Includes liner notes by David Katz. All tracks have been digitally remastered. This is part of Universal Records "20th Century Masters The Millenium Collection" series. While many of these tracks are, in fact, Burning Spear's best, this 12-cut selection of his Island/Mango years only scratches the surface of Winston Rodney's voluminous catalog. Although 1996's Chant Down Babylon: The Island Anthology double set might be too much for the casual listener, nearly all these tunes are also available on Hip-O's single Ultimate Collection. Still, this disc's budget price is a consideration, since ten of its dozen songs represent Spear's classic years from 1975-1980. Additionally, the 12" versions of "Social Living" and an extended mix of "The Invasion/Black Wa-Da-Da" infuse depth to the listing, making this slightly more than just an abbreviated version of Chant Down Babylon. There's no denying the power of these songs, which, apart from Bob Marley's, are the most political and riveting statements to emerge from this period in reggae. The sound is excellent, both dry and heavy, to quote Spear's own song title. If you're just looking to experience the music that made Winston Rodney a legend, this is a practical place to start. It's likely that after getting a taste of the man's hypnotic, horn-accentuated approach, you'll want to explore his history more thoroughly. ~ Hal Horowitz

Rolling Stone (9/19/02, p.110) - 3 stars out of 5 - "...BEST OF focuses on the roots reggae of Rodney's peak years, 1975-80..."

Burning Spear (born Winston Rodney) was originally a protege of his neighbor Bob Marley, but even his earliest music exhibited his characteristically unique and intense style. His lyrical concerns--black culture and history, a hybrid form of Pan-Africanism, Garveyism and Rasta tenets, and (especially) universal love--have been consistently and powerfully expressed throughout his lengthy recording career. Perhaps most memorable is his 1975 breakthrough masterpiece, MARCUS GARVEY, where he emerged as one of the most distinctive and original talents in the history of reggae.

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