The Rolling Stones (England's Newest Hit Makers) [US] [Remaster]The Rolling Stones
Release Date: 08/27/2002
Original Release:
1964
# of Discs:
1
J&R Item # 460397_CD
UPC # 018771937524
Label: ABKCO Records
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: The Rolling Stones
Artist: Gene Pitney; Phil Spector Engineer: Gus Skinas; Gus Skinas Producer: Andrew Loog Oldham; Jody H. Klein (Reissue) Distributor: Universal Distribution Notes: The Rolling Stones: Mick Jagger (vocals, harmonica); Brian Jones (guitar, harmonica, background vocals); Keith Richards (guitar, background vocals); Bill Wyman (bass); Charlie Watts (drums). Additional personnel: Gene Pitney (piano); Ian Stewart (keyboards); Phil Spector (maracas). The Rolling Stones: Brian Jones (guitar); Bill Wyman (bass guitar); Keith Richards, Mick Jagger, Charlie Watts . Personnel: Mick Jagger (vocals, harmonica); Bill Wyman (vocals); Keith Richards (guitar); Ian Stewart (piano, organ); Gene Pitney (piano); Charlie Watts (drums); Phil Spector (maracas). Additional personnel: Gene Pitney, Ian Stewart , Phil Spector. Audio Remasterers: Teri Landi; Steve Rosenthal. Liner Note Author: Andrew Loog Oldham. Recording information: Regent Sound, London, England. Photographer: David P. Bailey. Arranger: The Rolling Stones. The first full-length Rolling Stones album is a raw document of their early sound, which at this point was still Early British Tinny, even on this pristine re-issue. However, the band's growing confidence throughout the course of THE ROLLING STONES is almost palpable. Their take on Willie Dixon's "I Just Want to Make Love to You" is steeped in Chicago blues filtered through a West London sensibility, while the insistent harp on their hit cover of Buddy Holly's "Not Fade Away" is an early example of the band's technique of using blues riffs as pop hooks. "Tell Me" is a fairly embryonic attempt at Tin Pan Alley songwriting (they're far more at home with the raw R&B of "Little By Little") and it's obvious that at this early stage the band was most comfortable performing R&B covers, such as Rufus Thomas's classic "Walking the Dog," and particularly Chuck Berry's "Carol," which remained a staple of the band's live shows for some years. The group's debut album was the most uncompromisingly blues/R&B-oriented full-length recording they would ever release. Mostly occupied with covers, this was as hardcore as British R&B ever got; it's raw and ready. But the Stones succeeded in establishing themselves as creative interpreters, putting '50s and early-'60s blues, rock, and soul classics (some quite obscure to white audiences) through a younger, more guitar-oriented filter. The record's highlighted by blistering versions of "Route 66," "Carol," the hypertempoed "I Just Want to Make Love to You," "I'm a King Bee," and "Walking the Dog." Their Bo Diddley-ized version of Buddy Holly's "Not Fade Away" gave them their first British Top Ten hit (and their first small American one). The acoustic ballad "Tell Me" was Jagger-Richards' first good original tune, but the other group-penned originals were little more than rehashed jams of blues clich�s, keeping this album from reaching truly classic status. ~ Richie Unterberger
NME (Magazine) (7/8/95, p.46) - 6 (out of 10) - "...a string of scratchily recorded blues standards and rock'n'roll covers, of which only `Route 66', `Carol' and `Walking The Dog' have really stood the test of time..."
Originally part of the early 1960s British blues/R&B scene, the Rolling Stones rapidly ascended the heights of fame with a perfect combination of hit singles and media-grabbing scandals. By the '70s, Keith Richards had become a bona fide guitar hero, and Mick Jagger an unlikely sex symbol. The world became the Stones' stage, and their music continued to walk the line between blues, rock, and whatever lay around the next corner, be it reggae, funk, or disco. Despite the ravages of changing fashion, solo albums, and plain old age, the Stones persevered through the decades to become a venerable institution, refusing to relinquish their title as "The World's Greatest Rock & Roll Band."
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