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Getz/Gilberto [Super Audio CD]

Stan Getz
Release Date: 10/29/2002
Original Release:  1963
# of Discs:   1
J&R Item # 465492_CD
UPC # 731458959526
Label: Verve (USA)
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SACD
 
Track Details Credits Reviews Artist Related Shipping
Disc: 1
1. Girl from Ipanema, The
2. Doralice
3. Para Machuchar Meu Coraçao (To Hurt My Heart)
4. Desafinado (Off Key)
5. Corcovado (Quiet Nights of Quiet Stars)
6. So Danço Samba (I Only Dance Samba)
7. O Grande Amor
8. Vivo Sonhando (Dreamer)
9. Girl from Ipanema, The - (single version)
10. Corcovado (Quiet Nights of Quiet Stars) - (single version)

Performer: Stan Getz
Engineer: Phil Ramone
Producer: Creed Taylor; Bryan Koniarz
Distributor: Universal Distribution

Notes: This is a Super Audio CD playable only on Super Audio CD players. This is a Super Audio CD playable only on Super Audio CD players. Personnel: Stan Getz (tenor saxophone); Joao Gilberto (vocals, guitar); Astrud Gilberto (vocals); Antonio Carlos Jobim (piano); Milton Banana (drums). Liner Note Authors: Gene Lees; Joao Gilberto; Stan Getz; Astrud Gilberto; Doug Ramsey. Recording information: A&R Studios, New York, NY (03/18/1963/03/19/1963). Editor: Peter Pullman. The record that started the bossa nova craze of the mid-'60s, GETZ-GILBERTO is a justly recognized classic. The disc's success is attributable to its spectacular personnel: the man who basically invented bossa nova, Antonio Carlos Jobim; the man who defined and perfected the genre, Joao Gilberto; his charmingly waifish-sounding wife, Astrud Gilberto; and American tenor saxophonist extraordinaire Stan Getz. Jobim plays guitar and piano; Getz provides remarkably lyrical, complementary lead lines, and Joao Gilberto plays and sings in Portuguese with the most understated, romantic, and artful vocal delivery imaginable. It's a hard combination to beat. Opening track "The Girl From Ipanema," a breezy, infectious Jobim composition with vocals by both Joao and Astrud, became one of the biggest (and most recognizable) hits of the era, and the single most popular Brazilian tune in America. The exquisite shuffle "Desafinado," the Joao-Astrud duet "Corcovado," and the eminently grooving "So Danco Samba" have gone on to become standards of both bossa nova and jazz, and the versions here are definitive. Getz's sensitive playing blends seamlessly with the deceptively casual rhythmic sophistication of Jobim, Gilberto, and percussionist Milton Banana. The material, the musicianship, and the gentle, minimal arrangements and production ensure that GETZ/GILBERTO will never date, age, or tire. It's a perfect album. One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer Joao Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl from Ipanema," a Jobim classic sung by Joao's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre: "Corcovado" (which featured another vocal by Astrud), "So Dan�o Samba," "O Grande Amor," and a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential. [This edition of the album is presented in SACD format.] ~ Steve Huey
Down Beat (9/97, p.54) - 4 1/2 stars (out of 5) - "...[the] 20-bit digital remastering...gives the breezy Brazilian lilt added warmth..." JazzTimes (11/94, pp.88-89) - "...essential for all serious jazz collections...served as proof that it is possible for music to be both artistically and commercially successful...this relatively sparse setting with the great Getz perfectly fit the music, resulting in a true gem..." Vibe (12/99, p.158) - Included in Vibe's 100 Essential Albums of the 20th Century
Tenor saxophonist Stan Getz possessed a full, luxuriant tone and a highly melodic improvisational sense. Though he produced consistently rewarding music for the duration of his near 50-year career, he achieved the greatest success in the early '60s when he led the American part of the bossa nova explosion. Indeed, this brilliant fusion of jazz and Brazilian rhythms yielded the tune, "The Girl From Ipanema," which became one of the biggest selling jazz records in history.
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Brazilian   Brazilian  
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PID # 3956961


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