The Best Of The Concord Years

Performer: Rosemary Clooney
Distributor: Universal Distribution

Notes: Personnel includes: Rosemary Clooney (vocals); Dan Higgins, Gary Foster (alto saxophone, reeds); Brad Leali (alto saxophone); Scott Hamilton (tenor saxophone); Bill Berry, Scott Wagstaff, Mark Lewis, Paul Mazzio, Bill Byrne, Warren Luening (trumpet); Warren Vache (cornet); Gene Smith, John Fedchock, Dan Barrett, Chauncey Welsh (trombone); Randy Hawes (bass trombone); Joe Soldo, Don Ashworth (reeds); Cal Tjader (vibraphone); Nat Pierce, Dave McKenna, John Oddo (piano); Cal Collins, John Chiodini, Ed Bickert, Chris Flory, Tim May (guitar); Monty Budwig, Bob Maize, John Adams, Phil Flanigan, Michael Moore, John Clayton (bass); Jake Hanna, Jeff Hamilton, Gus Johnson, John Cocuzzo, Butch Miles (drums). Producers includes: Carl E. Jefferson, John Oddo, Allen Farnham, John Burk, Nick Phillips. Compilation producer: Nick Phillips. Recorded between 1977 & 1996. Includes liner notes by Nick Clooney, Allen Sviridoff, Gabriel Ferrer. The fact that one of the most successful pop singers of the '50s went on to become one of the most acclaimed jazz singers of the '80s and '90s shouldn't be marked up to the simple attrition of the WWII generation of jazz vocalists. Rosemary Clooney was comfortable (and skilled) singing in many different circumstances, and the fact that she could exhibit endless reserves of patience when forced to record pop fluff during the '50s by no means affected her love for the Great American Songbook -- it may actually have intensified it. The Best of the Concord Years distills the best of her 25-year career with Concord, virtually the only label she recorded for after her mid-'70s comeback, and the only label where she was allowed to pick her own material. Facing the task of choosing only about 30 songs from her catalog of well over 300 titles, the compilers managed to illustrate Clooney's love for the songbook, picking uniformly excellent performances from her many tribute records: "Pennies from Heaven" from Rosie Sings Bing, "I Cover the Waterfront" from Here's to My Lady: A Tribute to Billie Holiday, "Cheek to Cheek" from Sings the Music of Irving Berlin, "Something's Gotta Give" from Sings the Lyrics of Johnny Mercer, and "A Foggy Day" from Dedicated to Nelson (Riddle). The accompaniment ranges from a duet with guitar (from 1985's Sings Ballads) to a full orchestra (from her throwback Girl Singer LP of 1992), and includes many features for her usual bandmates, including Warren Vach� on cornet, Scott Hamilton on tenor, and Cal Collins and later Bucky Pizzarelli on guitar. Like the similar volume on Mel Torm�, Clooney's Best of the Concord Years transforms an imposing, multiple-volume discography into one rewarding listen. ~ John Bush

An iconic American vocalist, Rosemary Clooney often blurred the line between pop and jazz, occasionally even venturing into country and international styles. She started out as a singer with the Tony Pastor band in the 1940s, and her solo career started taking off at the end of the decade. Under the stewardship of Mitch Miller, she had numerous novelty-oriented '50s hits, but later on she dedicated herself to more serious, jazzier work, making some of her finest albums, like 1956's BLUE ROSE. Clooney was also active in films and TV (for a time she had her own television show), and continued performing and recording tirelessly until her death in 2002.

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