Wire

Performer: Third Day
Artist: Paul Ebersold; Boyd Tinsley
Engineer: Skidd Mills; Don McCollister; Mac Attkisson; Karl Egsieker; Billy Bowers; Skidd Mills
Producer: Paul Ebersold; Paul Ebersold
Distributor: BMG (distributor)

Notes: Third Day: Mark Lee (guitar); Tai Anderson (bass instrument); David Carr , Mac Powell, Brad Avery. Personnel: Mac Powell (vocals, acoustic guitar); Mark "Anarchy" Lee, Brad Avery (guitar); Paul Ebersold (acoustic guitar, piano, organ, Mellotron, programming); Boyd Tinsley (violin); Richard Thomas (cello); Scotty Wilbanks (piano); David Carr (drums); Chrystine Lloree Fincher, Scott Hardin (background vocals). Additional personnel: Paul Ebersold (Hammond b-3 organ); Boyd Tinsley. Audio Mixer: Brendan O'Brien. Recording information: 747 Studios, Memphis, TN; Doppler Studios, Atlanta, GA. Photographer: Marina Chavez. It's evident from the first riff of "Til the Day I Die" that Third Day has stripped away the shine and gotten back to the grittiness of being a rock & roll band. On its fifth studio disc, titled Wire, the band's sound pushes the rock envelope more than any of its predecessors. With guitars out front, cuts like "Come Back to Me'" and "Rockstar" find Third Day forging ahead with unabashed enthusiasm. This is the type of rock energy displayed on prior discs, but in limited doses. Leaning on southern heritage, the cut "I Believe" is reminiscent of the Atlanta Rhythm Section's "Homesick" and "Billy Brown" could have been lifted from any Molly Hatchet record. While the rockers are a pleasure, Third Day's knack for writing emotionally potent ballads is evidenced, as well. "It's a Shame" is a tune that finds the electrics lying back in the pocket while a string arrangement enlightens the song's feel. "You Are Mine" is the type of cut that the band has taken to number one several times throughout its career. The song offers lyrical worship while the acoustic guitars and country rhythm patterns excel. Sprinkled throughout Wire is some of the best work the band has produced over its career. The disc is a rock tour de force that may take the band to new places. ~ Steven Douglas Losey Perusing the lyrics of WIRE, it's apparent that the mammoth success of Third Day's praise-themed albums, OFFERINGS I: A WORSHIP ALBUM and OFFERINGS II: ALL I HAVE TO GIVE, has given lead singer/main songwriter Mac Powell plenty of literary fodder. On several tracks, the vocalist pairs his band's trademark Lynyrd Skynyrd-via-Live grunge-boogie with words focusing on the difficulty of reconciling financial gain and rabid fan worship with a sincere Christian ministry. These are big questions for any band to grapple with, but Powell treats the subject with an admirable humanity that steers clear of over-the-top preaching or blind faith. Throughout, Third Day offers tough, rugged backing in the best Southern rock tradition, but with a modern touch that will also please fans of Staind and 3 Doors Down.

Third Day is one of CCM's biggest crossover acts, known as much for their tuneful alt-rock craft as for their earnest faith. Formed in the mid-1990s in Georgia, Third Day started out like most indie bands, gigging relentlessly and releasing low-budget home recordings. In 1996, they signed a multi-album deal with Reunion Records, the premier Christian label, which ensured radio play and audience exposure on a much bigger scale. Tours and collaborations with acts like Newsboys and Michael W. Smith followed, helping to raise their profile even more, and by the '00s, the band were genuine CCM stars, in an offshoot genre--Alternative CCM--that they helped to create.

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