
Muswell Hillbillies [Bonus Tracks] [Digipak] [Remaster] |
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Disc: 1
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Performer: The Kinks
Engineer: Mike Bobak; Richard Edwards... Producer: Ray Davies... Distributor: E1 Distribution (USA) Notes: The Kinks: Dave Davies, Ray Davies (vocals, guitar); John Gosling (keyboards); John Dalton (bass guitar); Mick Avory (drums). Additional personnel: John Beecham, The Mike Cotton Sound, Mike Cotton, Alan Holmes. Liner Note Author: Peter Doggett. MUSWELL HILLBILLIES holds a special place in the hearts of many Kinks fans, as well as the band themselves. Released in November 1971, the album has an anachronistic, rootsy quality that flew in the face of the blues-rock acts then diddling themselves all over FM radio. The unaffected, country-influenced, back-to-basics feel was similar to what the Rolling Stones attempted seven months later with EXILE ON MAIN STREET. However, while the theme of MUSWELL HILLBILLIES was about getting back to the roots, it was Ray and Dave Davies' own roots, in London's Muswell Hill neighborhood, that inspired Ray to pen the album. As on many of the Kinks' albums from the '60s, MUSWELL HILLBILLIES both celebrates and affectionately satirizes English life. "20th Century Man," "Holiday," and "Here Come the People in Gray" address the issues of working-class characters and the tribulations of Muswell as it underwent modernization. The album also demonstrated Ray Davies's penchant for albums based on narrative concepts, a trend he would continue through much of the '70s.
Rolling Stone (p.82) - 4 stars out of 5 - "[T]he wonderfully ramshackle MUSWELL HILLBILLIES is their EXILE ON MAIN STREET."
Like most mid-1960s British rockers, the Kinks started out as an R&B group before they helped invent hard rock and ventured into sardonic, Beatles-inspired pop and refreshingly unpretentious rock opera with an English music-hall tinge. Ray Davies' biting lyrical wit and brother Dave's primal power chords proved an unbeatable and tremendously influential combination. For as long as the notoriously combative siblings could comfortably coexist, the Kinks continued to ply their intelligent brand of Brit-rock.
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