Disciples Of The 36 Chambers: Chapter 1 [PA]

Performer: Wu-Tang Clan
Distributor: Universal Distribution

Notes: Wu-Tang Clan: GZA, Ghostface Killah, Inspectah Deck, Masta Killa, Method Man, Ol' Dirty Bastard, RZA, Raekwon, U-God. Liner Note Author: Jon Caramanica. Wu-Tang Clan live shows have always been the stuff of legend--unfortunately, often for the wrong reasons. By 2004, an air of silence gathered over the Shaolin soldiers from Staten Island, as members clashed over record deals, and solo albums often lacked the trademark Wu-Tang guest appearances. Every denial of a break-up lent more credence to the worrisome notion that rap's premier extended family was parting ways. However, on July 17, 2004, Wu-Tang dispelled those rumors by coming together for a concert in San Bernadino, California, a performance captured on DISCIPLES OF THE 36 CHAMBERS: CHAPTER 1. They had been a long time apart, but when all nine original members of Wu-Tang Clan took the stage on that July day, they slipped right back into the group vibe. The atmosphere here is kinetic, as lyrics leap from one member to the next, and the charismatic crew flows with the greatest of ease from crowd pleasers "C.R.E.A.M.," "Method Man," and "Gravel Pit" to more obscure numbers, such as GZA's "Ghost Deini." The energy of a rap concert has been one of the most elusive spirits to capture on disc, but Wu-Tang's power pours out from this historic reunion.

Entertainment Weekly (p.97) - "27 grime-soaked, high-octane tracks that flash by at a refreshing punk-rock pace." - Grade: B-

Arriving in the early 1990s, when rap was split between gangstas and bohemian jazz-rappers, Staten Island's Wu-Tang Clan promptly reinvented intelligent hardcore hip-hop. A unique contract deal, allowing the group's individual members--including Ol' Dirty Bastard, GZA, Method Man, Raekwon, and chief sonic architect RZA--to pursue solo careers on the side, made them the most prolific rap crew of the late-'90s and beyond. In addition to their various individual projects, Wu-Tang's love of Asian martial arts cinema led to them presenting various Hong Kong classics and to RZA's collaborations with filmmakers Jim Jarmusch (GHOST DOG: THE WAY OF THE SAMURAI) and Quentin Tarantino (KILL BILL).

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