1938-1952, Vol. 1Blind John Davis
Release Date: 09/23/1999
Original Release:
1999
# of Discs:
1
J&R Item # 532434_CD
UPC # 714298564723
Label: Document (USA)
|
Buying Info
|
|||||
| Track Details Credits Related Shipping |
|
Disc: 1
1.
Jersey Cow Blues
2.
Booze Drinking Benny
3.
Alley Woman Blues
4.
Got the Blues So Bad
5.
I Love My Josephine
6.
Anna Lou Breakdown
7.
No Mail Today
8.
Walkin' and Talkin'
9.
My Red
10.
Honey Babe
11.
Telegram to My Baby
12.
Your Love Belongs to Me
13.
Day Will Come, The
14.
Magic Carpet
15.
Paris Boogie (Woogie Boogie)
16.
O Sole Mio
17.
Sunrise Boogie
18.
Rockin' in Boogie
19.
Everbody Got the Blues
20.
How Long Blues
21.
Home Town Blues
22.
Davis Boogie
Performer: Blind John Davis
Producer: Johnny Parth Distributor: Allegro Corporation (Dist Notes: Personnel: Blind John Davis (vocals, piano); Willie B. James (guitar); George Barnes (electric guitar). Audio Remasterer: Gerhard Wessely. Liner Note Author: Guido Van Rijn. Recording information: 04/07/1938-02/??/1952. Although he was an active session pianist in the 1930s and 1940s, working with artists like Jazz Gillum, Casey Bill Weldon, Memphis Minnie, and was an architect of the Chicago blues style through his work with Big Bill Broonzy and Sonny Boy Williamson, Chicago native John Henry Davis remained relatively unknown in the U.S. throughout his career. Davis was a solidly professional player, and his approach embraced nearly all aspects of the American piano styles, from blues and jazz to straight pop and R&B, always with a bright, almost leisurely, sound. This collection from Document gathers up some of his early sides as a bandleader (his later recordings were mostly done in Europe, where he maintained a large and loyal following), and they show both his versatility and his remarkable ability to make everything sound offhand, comfortable, and slightly jazzy, traits that figured in his mature style, which could easily be termed lounge blues. Highlights here include the explosive yet controlled "Anna Lou Breakdown," the measured and gentle vocal on "No Mail Today," and the soaring and gliding "Magic Carpet." Davis was seldom flashy, so it is easy to miss the subtle artistry he brought to everything he played, and he remains one of the most unsung of America's blues-based piano greats. ~ Steve Leggett
Similar Genres:
Chicago Blues |