Broadway: The American Musical [Box]

Performer: Various Artists
Producer: Cy Coleman; David J.P. Kapp; Manie Sachs; Dick Jones; George Avakian; George R. Marek; Goddard Lieberson; Henry Jerome; Hugh Fordin; Arnold Maxin; E.O. Welker; Jack Kapp; Joe Carlton; Jerry Leiber; Jerry Wexler; Joe Linhart; Larry Morton; Marc Shaiman; Mark Mancina; Martin Koch; Michael Kapp; Mike Berniker; Mike Stoller; Mitchell Ayres; Nicholas Gilpin; Nigel Wright; Andy Wiswell; Phil Ramone; Arif Mardin; Stephen Schwartz; Steve Skinner; Thomas Z. Shepard; Alain Boublil; Charles Gerhardt; Andrew Lloyd Webber; Claude-Michel Schönberg; Tim Rice; Hugo Winterhalter; Charles Strouse; Michael Kantor (Compilation); Didier C. Deutsch (Compilation); Steve Berkowitz (Compilation); Darcy M. Proper (Compilation); Brian Drutman (Compilation)...
Distributor: Naxos (Distributor)

Notes: This boxed set includes a 55 page booklet containing annotations about each track and photographs from each production. Personnel: Tom Waring, George Gershwin (piano). Audio Mixer: Darcy Proper. Liner Note Authors: Michael Kantor; Lawrence Maslon. Recording information: 06/30/1919-11/10/2003. Photographers: Don Hunstein; Springer; Paul Kolnik; Martha Swope; Joan Marcus; Fred Fehl; Friedman-Abeles ; Carol Rosegg. This five-CD box set, containing 106 tracks and running six-and-one-third-hours, is an audio companion to the six-part PBS documentary series Broadway: The American Musical, but not the soundtrack to that series. Rather, it is a sampler covering 84 years of recordings and 99 years of show tunes. One song has been chosen from each of 102 musicals. (There are also two shows that get two songs each, the landmark musical Show Boat and, oddly, Ziegfeld Follies of 1919.) This restriction actually gives the collection a broader reach than the TV series, which focuses attention on particularly significant shows, songwriters, and performers, but it also gives the set less depth, since great shows tend to have more than one great song in them. As with the series, the compilers give greatest emphasis to the 1940s, '50s, and '60s, decades that contribute 50 of the tracks here. This is in part by necessity; the original Broadway cast album only came into vogue in the '40s, and show music from before that period is not as well represented on record, at least as performed by the stage stars. For example, there are no recordings from the cast of the 1932 revue Americana, which forced the compilers to include a recording of the show's hit song "Brother, Can You Spare a Dime?" as sung by Bing Crosby, who did not include Broadway shows among his credits. In part, too, however, the de-emphasis on music from before the 1940s comes from the compilers' decision to ignore operetta; there are no compositions here by Victor Herbert, Sigmund Romberg, or Rudolf Friml, for instance. Instead, this is the history of the Tin Pan Alley-style 32-bar song as perfected by Jerome Kern, Irving Berlin, and George Gershwin, among others. Drawing from the major record labels that recorded original Broadway cast albums from the '40s on, the compilers hit their stride by the end of the first disc, and from then to the beginning of the fourth disc they present one memorable song from a memorable show after another. A true show music fan might have quibbles about what's left out (no Yul Brynner or Rex Harrison, nothing from House of Flowers or Peter Pan), but the choices are solid for the most part. By the '70s and '80s, however, things begin to seem more questionable, and the selection falls apart completely in the '90s and 2000s, from which only 13 tracks are featured. The compilers, who include songs from nine shows still running in New York as of the album's release date (early 2005), seem only too willing to abandon Broadway for pop/rock anthology shows like Mamma Mia! and Movin' Out. In fact, of those 13 tracks, only seven come from newly written scores of the '90s/'00s. Meanwhile, however, the Tony Award-winning scores to such shows of the period as The Will Rogers Follies, Falsettos, Kiss of the Spider Woman, Passion, Titanic, Ragtime, Parade, Aida, Thoroughly Modern Millie, and Avenue Q have been ignored. Clearly, the compilers are historians with a much better sense of the distant past than of the near-present. The collection contains a 56-page booklet dominated by brief comments on the shows from which the songs came. These notes would have benefited from a proofreader, who might have known how to spell Meredith Willson's last name, and a fact-checker, who might have known that Dave Kapp, not Jack Kapp, produced Guys and Dolls and that Tim Rice did not co-produce Cats. ~ William Ruhlmann

Entertainment Weekly (p.85) - "[With an] awesome expanse....Selections range from standard to surprising to clever..." - Grade: A-

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