Bags Meets Wes! [Super Audio CD] [Remaster]

Performer: Milt Jackson
Artist: Wynton Kelly; Philly Joe Jones; Sam Jones
Engineer: Ray Fowler; Ray Fowler
Producer: Orrin Keepnews; Orrin Keepnews
Distributor: Fantasy (distributor)

Notes: Personnel: Milt Jackson (vibraphone); Wes Montgomery (guitar); Wynton Kelly (piano); Sam Jones (bass); Philly Joe Jones (drums). Recorded at Plaza Sound Studios, New York, New York on December 18 & 19, 1961. Originally released on Riverside (9407). Includes liner notes by Joe Goldberg. Digitally remastered by Steve Hoffman. Personnel: Milt Jackson (vibraphone); Wes Montgomery (guitar); Wynton Kelly (piano); Sam Jones (bass); Philly Joe Jones (drums). Recorded at Plaza Sound Studios, New York, New York on December 18 & 19, 1961. Originally released on Riverside (9407). Includes liner notes by Joe Goldberg. Digitally remastered using 20-bit K2 Super Coding System technology. This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Milt Jackson (vibraphone); Milt Jackson; Sam Jones (bass instrument); Wes Montgomery (guitar); Wynton Kelly (piano); Philly Joe Jones (drums). Liner Note Author: Joe Goldberg. Recording information: Plaza Sound Studios, New York, NY (12/18/1961/12/19/1961). Milt Jackson was 38 when, in December 1961, he co-led this superb hard-bop date with the distinctive guitarist Wes Montgomery. A jazzman who was as opinionated as he was gifted, Jackson wouldn't hesitate to tell you exactly what he thought of a musician -- so when he praised Montgomery, you knew his praise was genuine. Not surprisingly, the boppers prove to be quite compatible on Bags Meets Wes, which finds them co-leading an all star-quintet that also includes pianist Wynton Kelly, bassist Sam Jones, and drummer Philly Joe Jones (who shouldn't be confused with swing drummer Jo Jones). Although Jackson and Montgomery prove what lyrical ballad players they could be on the standard "Stairway to the Stars," ballads aren't a high priority on this album. Instead, the improvisers put more of their energy into the blues -- and the 12-bar format serves them well on "Sam Sack," "Blue Roz," and "S.K.J." Equally strong are hard-swinging versions of Montgomery's "Jingles" and Benny Golson's "Stablemates." [A Japanese version included bonus tracks.] ~ Alex Henderson Milt Jackson was 38 when, in December 1961, he co-led this superb hard-bop date with the distinctive guitarist Wes Montgomery. A jazzman who was as opinionated as he was gifted, Jackson wouldn't hesitate to tell you exactly what he thought of a musician -- so when he praised Montgomery, you knew his praise was genuine. Not surprisingly, the boppers prove to be quite compatible on Bags Meets Wes, which finds them co-leading an all star-quintet that also includes pianist Wynton Kelly, bassist Sam Jones, and drummer Philly Joe Jones (who shouldn't be confused with swing drummer Jo Jones). Although Jackson and Montgomery prove what lyrical ballad players they could be on the standard "Stairway to the Stars," ballads aren't a high priority on this album. Instead, the improvisers put more of their energy into the blues -- and the 12-bar format serves them well on "Sam Sack," "Blue Roz," and "S.K.J." Equally strong are hard-swinging versions of Montgomery's "Jingles" and Benny Golson's "Stablemates." Originally released on LP by Riverside in the early 1960s, Bags Meets Wes has been reissued several times over the years. When Fantasy reissued it on CD for the Original Jazz Classics (OJC) series, the label added alternate takes of "Jingles," "Stairway to the Stars," and "Delilah" -- all of which are only slightly inferior to the master takes. Bags Meets Wes has also been reissued as a 24-karat gold audiophile CD by DCC Compact Classics. ~ Alex Henderson One of the classic hard-bop collaborations, BAGS MEETS WES! presents guitarist Wes Montgomery and vibraphonist Milt "Bags" Jackson in an excellent 1961 session. Montgomery's warm, rootsy tone and blues-derived style provided a perfect complement to Jackson's intellectual, traditional bop approach, and the two achieve natural, sometimes scintillating dialogues on this date. Backed by a hard-to-beat band--pianist Wynton Kelly, bassist Sam Jones, and drummer Philly Joe Jones--Bags and Wes play largely in a blues mode here, with plenty of stretching out over the 12-bar progressions. Jackson's "S.K.J." kicks off the set, and proves one of the highlights, as does Montgomery's "Jingles," an up-tempo, minor-key groove-laden song on which the co-leaders unfurl vibrantly melodic lines during their solos. One of the classic hard-bop collaborations, BAGS MEETS WES! presents guitarist Wes Montgomery and vibraphonist Milt "Bags" Jackson in an excellent 1961 session. Montgomery's warm, rootsy tone and blues-derived style provided a perfect complement to Jackson's intellectual, traditional bop approach, and the two achieve natural, sometimes scintillating dialogues on this date. Backed by a hard-to-beat band--pianist Wynton Kelly, bassist Sam Jones, and drummer Philly Joe Jones--Bags and Wes play largely in a blues mode here, with plenty of stretching out over the 12-bar progressions. Jackson's "S.K.J." kicks off the set, and proves one of the highlights, as does Montgomery's "Jingles," an up-tempo, minor-key groove-laden song on which the co-leaders unfurl vibrantly melodic lines during their solos. One of the classic hard-bop collaborations, BAGS MEETS WES! presents guitarist Wes Montgomery and vibraphonist Milt "Bags" Jackson in an excellent 1961 session. Montgomery's warm, rootsy tone and blues-derived style provided a perfect complement to Jackson's intellectual, traditional bop approach, and the two achieve natural, sometimes scintillating dialogues on this date. Backed by a hard-to-beat band--pianist Wynton Kelly, bassist Sam Jones, and drummer Philly Joe Jones--Bags and Wes play largely in a blues mode here, with plenty of stretching out over the 12-bar progressions. Jackson's "S.K.J." kicks off the set, and proves one of the highlights, as does Montgomery's "Jingles," an up-tempo, minor-key groove-laden song on which the co-leaders unfurl vibrantly melodic lines during their solos. Milt Jackson was 38 when, in December 1961, he co-led this superb hard bop date with the distinctive guitarist Wes Montgomery. A jazzman who was as opinionated as he was gifted, Jackson wouldn't hesitate to tell you exactly what he thought of a musician -- so when he praised Montgomery, you knew his praise was genuine. Not surprisingly, the boppers prove to be quite compatible on Bags Meets Wes!, which finds them co-leading an all star-quintet that also includes pianist Wynton Kelly, bassist Sam Jones, and drummer Philly Joe Jones (who shouldn't be confused with swing drummer Jo Jones). Although Jackson and Montgomery prove what lyrical ballad players they could be on the standard "Stairway to the Stars," ballads aren't a high priority on this album. Instead, the improvisers put more of their energy into the blues -- and the 12-bar format serves them well on "Sam Sack," "Blue Roz," and "S.K.J." Equally strong are hard-swinging versions of Montgomery's "Jingles" and Benny Golson's "Stablemates." [The 2004 reissue has be mixed and formatted for SACD playback.] ~ Alex Henderson

Q (5/00, p.126) - 4 stars out of 5 - "...Knuckle-chewing stuff, from start to finish." Q (5/00, p.126) - 4 stars out of 5 - "...Knuckle-chewing stuff, from start to finish."

As a member of the legendary 1950s, '60s, and '70s combo the Modern Jazz Quartet, Milt Jackson was one of the most high-profile vibraphonists in jazz. His swinging style brought the vibes to the forefront on many classic recordings with other legends like Miles Davis, Thelonious Monk, John Coltrane, and many others. His classic tune "Bags' Groove" has remained part of the standard jazz repertoire since its debut.

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