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The World Should Know [Remaster]

Burning Spear
Release Date: 02/01/2005
Original Release:  1993
# of Discs:   2
J&R Item # 544362_CD
UPC # 828283032521
Label: Burning Music
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Track Details Credits Artist Related Shipping
Disc: 1
1. World Should Know, The sound samples  real  |  windows media
2. In a Time Like Now sound samples  real  |  windows media
3. I Stand Strong sound samples  real  |  windows media
4. Identity sound samples  real  |  windows media
5. It's Not a Crime sound samples  real  |  windows media
6. Mi Gi Dem (I Give Them) sound samples  real  |  windows media
7. Loving Day sound samples  real  |  windows media
8. Sweeter Than Chocolate sound samples  real  |  windows media
9. On the Inside sound samples  real  |  windows media
10. Peace sound samples  real  |  windows media

Disc: 2
1. Columbus - (live)
2. African Postman - (live)
3. Rocking Time - (live)
4. Door Peep - (live)
5. Mi Gi Dem

To listen to sound clips, you'll need the most current version of the real player real or windows media windows media players, click to download the FREE software.
Performer: Burning Spear
Engineer: Barry O'Hare
Distributor: Ryko Distribution

Notes: Personnel includes: Winston Rodney (vocals, percussion); Lenford Richards (guitar, keyboards); Sha Yar (guitar); Paul Beckford (bass); nelson Miller (drums); Alvin Haughton (percussion). Personnel: Sha Yar, Lenford Richards (guitar); Dean Fraser, Mark Wilson (saxophone); Chico Chin, James Smith (trumpet); Nambo Robinson, Charles Dickey (trombone); Paul Beckford (bass instrument); Nelson Miller (drums); Alvin Haughton (percussion); Sharon Forrester (background vocals). Additional personnel: Robby Lyn (keyboards). Even though The World Should Know was released on CD, Burning Spear was still thinking in vinyl terms, and thus this album is very much a record of two distinct halves. The first five tracks are pure culture, although the music is anything but pure roots. In fact, the entire album is underpinned by dance beats, either by the programmed drums favored by the discos or the big, booming beats so popular in Jamaican dancehalls. Winston Rodney worked hard to make World sound global, determined that it would go down just as well at home as in foreign climes. A few songs are geared more to island styling, others more to the northern market, but most are a sparkling blend of both, an excellent use of beats, brass, and synths to encompass differing genres within individual songs. Rodney had learned much during his return trip to Island Records, and now put it to use back at his former label, Heartbeat. The five cultural numbers together create a mini-concept album, which moves from the global to the personal. The title track envelops economics, unity, and consciousness, while "In a Time Like Now" specifically addresses the withering effects of the free-market policies that are impoverishing Jamaica and so many other developing countries. "I Stand Strong" and "Identity" discuss Rodney's own personal philosophy, and "It's Not a Crime" covers one of his favorite topics, the importance of loving and educating youth. That latter song resurrects the old kiddie song "I'm a Little Teapot," which the singer had utilized to such devastating effect years ago on "Fire Down Below." The rest of the record is more varied, from a pair of love songs for the ladies to the bouncy celebration of music in "Mi Gi Dem (I Give Them)" and the more ambiguous "On the Inside," which can be read both as a personal relationship number and a broader cultural song, while "Peace" combines a unity theme with a devotional message. World was an exciting change of pace after the more hypnotic Jah Kingdom; bright and bubbly, lush and dance-friendly, the album was proof positive that one could bring culture to the world's dancefloors. Deservedly, it was nominated for a Grammy. [The World Should Know was re-released in 2005 with a bonus DVD.] ~ Jo-Ann Greene DVD Features: DVD Included
Burning Spear (born Winston Rodney) was originally a protege of his neighbor Bob Marley, but even his earliest music exhibited his characteristically unique and intense style. His lyrical concerns--black culture and history, a hybrid form of Pan-Africanism, Garveyism and Rasta tenets, and (especially) universal love--have been consistently and powerfully expressed throughout his lengthy recording career. Perhaps most memorable is his 1975 breakthrough masterpiece, MARCUS GARVEY, where he emerged as one of the most distinctive and original talents in the history of reggae.
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Shipping or Dimension weight in pounds: 0.25

PID # 4019596


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