Live at the Fillmore

Performer: Los Lobos
Engineer: Robert Carranza
Producer: Cesar Rosas; Robert Carranza
Distributor: Universal Distribution

Notes: Los Lobos: Louie P�rez (vocals, guitar, drums); Conrad Lozano (bass guitar); David Hidalgo, Steve Berlin, Cesar Rosas. Personnel: David Hidalgo (vocals, guitar, violin, accordion, percussion); Cesar Rosas (vocals, guitar); Conrad Lozano (vocals); Vincent Hidalgo (guitar); Steve Berlin (saxophone, keyboards); Victor Bisetti, Cougar Estrada (drums, percussion). Additional personnel: Vincent Hidalgo (guitar); Victor Bisetti, Cougar Estrada. Audio Mixers: Robert Carranza; Cesar Rosas; Mark Johnson. Liner Note Author: Blair Jackson. Recording information: 07/29/2004/07/30/2004. Editors: Cesar Rosas; Mark Johnson. Photographer: Ole L�tjens. Arranger: Los Lobos. While Los Lobos have made a handful of great albums during the course of their career, you have to see them live to fully appreciate their status as one of America's best rock bands. Their material is smart and wildly eclectic, they're superb musicians whose interplay has been honed to a fine edge by years of road work, and they know that great chops will never be as important as a strong dose of sweaty enthusiasm if you want to get over with an audience; put it all together and you get a group that never disappoints a crowd. It's a bit surprising that, after more than thirty years together, no one ever thought to record a Los Lobos live album, but in the summer of 2004, as the band was celebrating their official 30th Anniversary, they brought in a camera crew and a mobile recording truck to document a two-night stand at San Francisco's Fillmore Auditorium; the results were released as a DVD in late 2004, and now an audio-only version of Live at the Fillmore has come out on CD. Given how impressive a backlog of material this band has, it's almost inevitable that Live at the Fillmore would be a bit of a disappointment, given that there's only so many of los Lobos' many great songs can appear on a single disc, especially since the band puts the strongest focus on their most recent material in this set. But with an eye towards history, they do offer a taste from most of their albums in these 14 songs (going all the way back to 1984's And a Time to Dance), and the recording gear caught the band on a good night -- Los Lobos are clearly having a good time on these tunes, and playing with confidence, style and soul, running the gamut from the flat-out rock of "Good Morning Aztlan" and "Viking" to the soulful Latin groove of "Cumbia Raza," finally closing with an impassioned cover of Marvin Gaye's "What's Goin' On." Los Lobos are a band who would do well to consider a series of live albums that could capture the full breadth of their capabilities in concert, in the manner of Pearl Jam and the Grateful Dead, but Live at the Fillmore captures a taste of the band's on-stage magic with accuracy and finesse, and both fans and newcomers will find it tasty stuff indeed. The initial pressing also includes a bonus CD including three acoustic tracks. ~ Mark Deming

They began playing traditional Mexican music in their native East L.A. in the mid-'70s, but Los Lobos were galvanized by the California punk movement. By the early '80s they were a rock band to be reckoned with, purveying a highly charged brand of roots-rock distinctively colored by conjunto and Latin shadings. Their '90s work with producer Mitchell Froom found them heading into new worlds of textural sonic exploration.

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