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The Complete '60s Duets

George Jones
Release Date: 03/29/2005
Original Release:  2005
# of Discs:   1
J&R Item # 550558_CD
UPC # 030206664225
Label: Varese Sarabande (USA)
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Track Details Credits Artist Related Shipping
Disc: 1
1. I've Got Five Dollars and It's Saturday Night sound samples  real  |  windows media
2. Wreck on the Highway sound samples  real  |  windows media
3. Sweeter Than the Flowers sound samples  real  |  windows media
4. One Has My Name sound samples  real  |  windows media
5. I'm a Fool to Care sound samples  real  |  windows media
6. Don't Rob Another Man's Castle sound samples  real  |  windows media
7. My Shoes Keep Walking Back to You sound samples  real  |  windows media
8. I've Got a New Heartache sound samples  real  |  windows media
9. Big Job sound samples  real  |  windows media
10. That's All It Took sound samples  real  |  windows media
11. Mockin' Bird Hill sound samples  real  |  windows media
12. As Long as I Live sound samples  real  |  windows media
13. Y'All Come sound samples  real  |  windows media
14. Someday You'll Want Me to Want You sound samples  real  |  windows media
15. Louisiana Man sound samples  real  |  windows media
16. Your Old Standby sound samples  real  |  windows media
17. Why Baby Why sound samples  real  |  windows media

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Performer: George Jones
Artist: The Jordanaires
Producer: Cary E. Mansfield; Steve Massie; Pappy Daily; Cary E. Mansfield (Compilation); Steve Massie (Compilation)
Distributor: Universal Distribution

Notes: Personnel: George Jones; Gene Pitney, The Jordanaires. Liner Note Author: Bill Dahl. Recording information: 01/05/1965-06/18/1965. In 1965, Musicor Records had the brilliant idea of pairing two of the label's top-selling artists for a duet record. It didn't really matter that the dramatic delivery of pop singer Gene Pitney and the smooth voice of country crooner George Jones weren't the most logical pairing -- the very novelty of the act made it worth doing, since it could sell records. And sell records it did, resulting in a handful of country hits during the course of 1965. The fact that these singles charted on the country side of the fence, not the pop, illustrates that it was Pitney who bent to Jones' way, heading down to Nashville to record with Jones' manager/producer, Pappy Daily. They recorded two sessions in 1965 -- one in January, one in June -- cutting several standards and several new tunes, highlighted by Ted Daffan's "I've Got Five Dollars and It's Saturday Night," which peaked at 16 on the country charts. These sessions, a total of 17 songs, are collected on Varese's 2005 compilation George Jones & Gene Pitney: The Complete '60s Duets. All the passing years haven't made the pairing of Jones and Pitney any less strange: Pitney never sounds like a natural fit with Jones and country music, and his high, keening voice always winds up being the center of attention, even when he tries to just ease into the proceedings. That doesn't mean he's a bad fit, though -- he's a sympathetic duet partner and picks up the nuances of country vocal delivery, and he sounds comfortable here. Of course, Jones also sounds comfortable -- he never sounded awkward in his entire career (unless you count High-Tech Redneck) -- and the music is good, straight-ahead '60s commercial country. Apart from "I've Got Five Dollars," there are no classics and it's hard not to shake the feeling that this is a bit of novelty, but this is still enjoyable music for fans of either George Jones or Gene Pitney. (For those who already own Bear Family's 1994 compilation George Jones & Gene Pitney, this isn't necessary: that set contains all 17 duets, plus 13 country tunes cut by Pitney during 1965, as well as Jones' 1965 hit "Love Bug.") ~ Stephen Thomas Erlewine
George Jones is the greatest of country singers but he has also been a victim of the infamous hard-living honky-tonk lifestyle. Though he's gone through several phases, from rockabilly to honky-tonk to countrypolitan, his melismatic, Lefty Frizell-influenced style has remained at the core of his unique sound. His stormy marriage to Tammy Wynette (1969-75) included duet albums of love songs and bitter recriminations. By the late '70s, his drinking and cocaine addiction had made him so unreliable that he was known as "No Show Jones." In 1979 he received medical treatment and staged a significant comeback with I AM WHAT I AM, which included his greatest single, "He Stopped Loving Her Today."
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PID # 4027934


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