Bebel Gilberto Remixed [Digipak]

Performer: Bebel Gilberto
Distributor: Fontana Distribution

Notes: Initial pressings include a bonus CD. Bebel Gilberto Remixed follows a certain pattern. After the Brazilian songstress with the sacred genes scored a hit record with her modern classic Tanto Tempo in 2000, her record label, Six Degrees, pieced together and released a remix album in its wake, Tanto Tempo Remixes. While that remix album didn't come close to matching the magic of its source, it was a nice enough release, and a great number of fans simply were happy to have more Gilberto to enjoy, even if it was a piecemeal departure from the original Suba productions that had made Tanto Tempo so special. Then, after Gilberto scored a hit record with her follow-up in 2004, Bebel Gilberto, Six Degrees again pieced together and released a remix album in its wake, Bebel Gilberto Remixed. And again, while this remix album doesn't come close to matching the magic of its source, it's a nice enough release, and a great number of fans simply will be happy to have more Gilberto to enjoy, even if it is a piecemeal departure from the original breezy set of half-English, half-Brazilian Portuguese songs. Piecemeal or not, Six Degrees did an expert job putting this collection of remixes together. The label rounded up roster of ace remixers like Thievery Corporation, Tom Middleton, and Nuspirit Helsinki, along with some fresh blood like hot up-and-comers Telefon Tel Aviv, Spiritual South, and Yam Who? You really can't scoff at the talent rounded up here; not only are these folks some of the best in their business, but for the most part, they're well suited for the breezy, slightly bossa style of the source material, with the Latin Project and John Beltran standing out as particularly intriguing participants. But no matter how promising all of this may seem, the fact of the matter is that the resulting album is a mixed bag. Each producer steals his own respective show, putting his production front and center, which is the opposite of Bebel Gilberto, where the productions were subtle and spare. That's certainly not the case here; these productions are big and often dramatic, so much so that Bebel's voice often seems like window dressing. Such is the nature of such remix projects, though. Anyone who's sat through a good number of these such albums should know what to expect. That's why only beat heads, DJs, and diehard fans are likely to be overjoyed with Bebel Gilberto Remixed. It's a nice enough release and Six Degrees did a commendable job, for sure, but most folks should stick with the source material. After all, Bebel Gilberto is a great album, if not quite on a par with the excellence of Tanto Tempo, so if you're understandably itching for more, you're better off going with the latter if you haven't already. And if you have both albums, why not try some other Brazilian artists of a similar style? There's much more to Brazilian music than Bebel, no doubt, and if you're looking for a good point of departure, try Maria Rita's very impressive self-titled debut; pretty much anything by Marisa Monte (Rose and Charcoal or Memories, Chronicles and Declarations of Love, in particular); or Suba's classic Sao Paulo Confessions, which is as close as you'll come to reliving the magic of Tanto Tempo. ~ Jason Birchmeier Bebel Gilberto is a vibrant link between bossa nova and contemporary electronica. She is the daughter of singer Miucha and legendary Brazilian crooner/guitarist Joao Gilberto, and performed for much of her life before releasing TANTO TEMPO (2000) and BEBEL GILBERTO (2004). Since Gilberto's silky, billowing voice lends itself not only to the seductive strains of bossa nova, but to the insistent beats and layered sonics of digitally tinged, contemporary production, it makes sense that she would be the perfect candidate for remix albums. (Her first remix collection, TANTO TEMPO REMIXES, was released in 2001.) As the title implies, BEBEL GILBERTO REMIXED contains all the cuts from her eponymous sophomore release filtered through the imaginations of a host of international dance, hip-hop, and electronica producers. The album features high-profile talents like English down-beat mixer Tom Middleton, hip-hop DJ Spinna, and the trip-hop/lounge act Thievery Corporation, as well as lesser-known talents like NuSpirit Helsinki and Steve Hillier from Dubstar. No matter the mix-master, the 13 tracks here are captivating and quite beautiful, both in their rhythmic and sonic reinvention (by the guests) and the strength of the songs and performances (from Gilberto herself). This will please not only electronica, dance, and Latin jazz fans, but anyone with an ear for fresh, captivating music.

As the daughter of Joao Gilberto, one of the chief architects of the bossa nova sound, and the step-daughter of singer Astrud Gilberto, perhaps the genre's most recognizable voice, Bebel Gilberto is at the fore of the second generation of bossa nova talent. While Gilberto's music is firmly rooted in Brazil's proud musical tradition, it is also marked by tasteful electronica and club music flourishes. Her breezy, sophisticated, and critically lauded 2000 debut, TANTO TEMPO, was given the remix treatment by a host of dancefloor heavyweights in 2003.

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