In The Skies [Remaster]

Performer: Peter Green
Distributor: BMG (distributor)

Notes: Personnel: Peter Green (vocals, guitar); Snowy White (guitar); Pete Bardens (keyboards); Kuma Harada (bass guitar); Reggie Isidore (drums). Liner Note Author: Jet Martin Celmins. After almost a decade of personal, drug-addled hell since his 1970 debut The End of the Game, Peter Green begins his comeback with In the Skies, and a title tune that sounds downright hopeful compared to where he left off. Although Green shares lead guitar work with Snowy White, it's clear from his fluid technique and haunting tone that he can still play. "A Fool No More" is the kind of slow blues Green excels at. Robin Trower drummer Reg Isidore gives way on one track to Godfrey McLean, who played on The End of the Game. Green dips even farther back into his past, courtesy of keyboards by Pete Bardens, who gave him his first professional music job in 1966 in a band with Mick Fleetwood. Green's singing, never a particular strength, is not a weakness here. Five of the nine songs are instrumentals, continuing a longtime Green tradition. It's an unambitious but solid and welcome return by a guitarist who in his prime rivaled Eric Clapton. If that seems far-fetched, listen to A Hard Road by John Mayall's Bluebreakers or Then Play On by Fleetwood Mac. ~ Mark Allan

Although Fleetwood Mac is best known for the mellow rock of RUMORS and TUSK, the quintessential '70s L.A. band started out as a British blues-rock powerhouse led by guitar genius Peter Green. After a stint in John Mayall's Bluesbreakers, Green formed Fleetwood Mac with the sidemen of the title, Mick Fleetwood and John McVie. After a mere three albums of quintessential Brit blues, Green left to explore the darker regions of LSD culture. Though he returned to music in the '70s, and continued to record and tour sporadically into the '90s, it's been said by many that Green never really came back from those trips. Nonetheless, Peter Green is known to this day for having perhaps the most sweet and supple tone of any blues guitarist, British or otherwise.

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