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Red (30th Anniversary Edition) [Remaster]

King Crimson
Release Date: 06/28/2005
Original Release:  1974
# of Discs:   1
J&R Item # 592778_CD
UPC # 633367050724
Label: Discipline Global Mobile
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Track Details Credits Reviews Artist Related Shipping
Disc: 1
1. Red sound samples  real  |  windows media
2. Fallen Angel sound samples  real  |  windows media
3. One More Red Nightmare sound samples  real  |  windows media
4. Providence sound samples  real  |  windows media
5. Starless sound samples  real  |  windows media

To listen to sound clips, you'll need the most current version of the real player real or windows media windows media players, click to download the FREE software.
Performer: King Crimson
Producer: King Crimson
Distributor: Ryko Distribution

Notes: The initial pressing of RED is packaged in a cardboard-stock gatefold sleeve. King Crimson: John Wetton (vocals, bass); Robert Fripp (guitar, Mellotron); David Cross (violin, viola); Bill Bruford (drums, percussion). Digitally remastered by Robert Fripp. King Crimson: John Wetton (vocals, electric bass); Robert Fripp (guitars); Bill Bruford (drums, percussion). After the transitional ISLANDS, LARK'S TONGUES began the third Crimson phase that ended with RED. The quartet of David Cross, John Wetton, Robert Fripp and Bill Bruford (augmented on LARK'S TONGUES by madman percussionist Jamie Muir) is regarded as the most innovative of Crimson's many lineups, offering hard-edged improvisations on an unprecedented level. With founding member/lyricist Pete Sinfield departed, Robert Palmer-James stepped in with a more cutting, concise lyrical approach that matched the group's uncompromising instrumental precision. Cross was relegated to guest status on RED, but still makes his presence felt, as do returning Crimson vets Mel Collins and Ian McDonald on saxes. The ominous, hard-edged aspect of Crimson's sound has always been alleged as an influence on early heavy metal, and RED, their heaviest, makes it clear why. The Wagnerian tendencies of early Crimson are magnified here, but the airy-fairy "prog-rock" trappings are discarded in favor of a sound that melds hard rock, modern classical music and jazzy improvisation. The resultant fusion-oriented sound is like a darker, rockier cousin to Tony Williams' Lifetime or the Mahavishnu Orchestra (or the repeating riff cycle that ends the Beatles' "She's So Heavy."
Spin (01/04, p.48) - "...Prog was always heady, but Crimson made it heavy. And this is the heaviest Crimson of all....If you're wondering where Tool came from, start here..." Q (7/01, p.87) - Included in Q's "50 Heaviest Albums of All Time". Q (11/00, p.129) - 3 stars out of 5 - "...With rockers that rock and a lilting English melancholy that tugs at the heartstrings...[It] envinces a lofty...ambition which they rarely, if ever, matched again." The Wire (10/00, p.77) - "...The real gravy. Now down to the brutal trio of Fripp, bassist Wetton and drummer Bill Bruford, RED is 40 minutes of cathartic noise..."
Led by innovative guitarist/conceptualist Robert Fripp, King Crimson went through countless changes in style and personnel. They moved from early symphonic/progressive rock to angular, experimental improv to a mixture of hard rock and fusion before breaking up in the mid-'70s. Revived in the '80s, the group modernized its approach by incorporating Gamelan-like polyrhythms and an almost danceable Talking Heads-influenced sound into their approach. Always the coolest of the art-rockers, Crimson was also one of the most influential of the early-'70s prog crowd.
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Shipping or Dimension weight in pounds: 0.25

PID # 4042559


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