All Jacked Up

Performer: Gretchen Wilson
Artist: Merle Haggard
Producer: Gretchen Wilson; John Rich; Mark Wright
Distributor: Sony Music Distribution (

Notes: This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other. Personnel: Gretchen Wilson (vocals, guitar); Merle Haggard (vocals); J.T. Corenflos (acoustic guitar, electric guitar); John Willis, Bryan Sutton (acoustic guitar); Dean Hall, Kenny Greenberg, Tom Bukovac (electric guitar); Paul Franklin, Russ Pahl (steel guitar, lap steel guitar); Mike Johnson (steel guitar); Jonathan Yudkin (fiddle); Steve Nathan (piano, Hammond b-3 organ); Glenn Worf, Michael Rhodes (bass guitar); Eric Darken, Shannon Forrest, Chad Cromwell (drums, percussion); Wes Hightower, Liana Manis, Jon Nicholson (background vocals). Gretchen Wilson uses the title of her second album as a euphemism for wasted. "Next thing you know, the bartender's pourin'/Shots a flowin', got me stoned and...." -- the moral of the story is, don't pick fights or start trucks when you're "All Jacked Up." But the phrase is broadly applicable, too. "All jacked up" describes a malfunctioning engine as effectively as the roughshod look of an ill-advised one-night stand. Of course it's also a rallying cry for the blue-collar zeitgeist, like Larry the Cable Guy's "Git-R-Done" or the title of Wilson's breakthrough single, "Redneck Woman," and it's that constituency All Jacked Up sings to proudly. It's not its music that makes an impression -- this record was rushed after the phenomenal success of her debut, Here for the Party, with writing and recording squeezed in between continued promotion and performance, and while Wilson's always refreshingly brash as a vocalist, the arrangements are only satisfactory. No, All Jacked Up's lyrics, attitude, and message are its most important parts. In "California Girls" Wilson thumbs her nose at Hollywood excess and body image. "Ain't you glad there's still a few of us left?" she asks, "[Who] ain't afraid to eat fried chicken and dance to Merle?" Haggard himself guests on "Politically Uncorrect," a tribute to the soldiers, single mothers, third-shifters, and believers -- any group you can think of that's been marginalized and/or politicized in the culture war. And in the terrifically unapologetic honky tonk "Skoal Ring," Wilson "don't want a bunch of bling-bling," because the "berry blend on his lips still turns me on." All Jacked Up just keeps building on the themes of Here for the Party, swaggering boldly and nodding to the legacy of George Jones along the way. Wilson is pushing back against the weird plastic and flashbulb "norms" of American popular media with mud on her hands and simple pleasures on her mind. In "One Bud Wiser" she finds solace from a bad breakup in a cold sip of beer, while "Not Bad for a Bartender" is the sequel to Here for the Party's "Pocahontas Proud," with Wilson reflecting on her rise to fame with an air of thanks, amazement, and "it could happen to you" homespun encouragement. We're all in this together, she's trying to say; so let's get some drinks and celebrate the New Redneck. ~ Johnny Loftus While Gretchen Wilson's highly successful debut, HERE FOR THE PARTY, was a redneck manifesto for how to have a good time, her 2005 follow-up, ALL JACKED UP, is the next day's eyeopener. Wilson still gets drunk and quarrelsome on the raucous opening title track, but most of this 2005 album is surprisingly low-key, as a number of gentle ballads rub elbows with rural-minded mid-tempo songs (most notably "Politically Uncorrect," featuring the legendary Merle Haggard). Although Wilson mostly sticks to no-frills working-class anthems, she also sneaks in a beautifully melancholy Billie Holiday-like take on the jazz standard "Good Morning Heartache" as a hidden bonus track, showing that this "Redneck Woman" has a charmingly unpredictable streak.

Entertainment Weekly (No. 842, p.91) - "...[A] feisty follow-up that sticks to the debut's ballads-plus-bar-anthems blueprint while revealing a broader range...." - Grade: A-

A self-proclaimed "Redneck Woman," Gretchen Wilson injected Nashville's pop-oriented landscape of the early 2000s with a welcome dose of old-fashioned honky-tonk swagger and tear-in-your-beer country. A discovery of Nashville's Muzik Mafia duo Big & Rich, Wilson was named Female Vocalist of the Year at the 2005 Country Music Awards.

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