Lost and Found [Bonus Track]

Performer: Judith Owen
Artist: Keb' Mo'; Cassandra Wilson; Richard Thompson; Tom Scott
Engineer: Wesley Fontenot; Drew Vonderhaar; Erik Flettrich; Cary Butler
Producer: John Fischbach; John Fischbach; Judith Owen
Distributor: Alternative Dis. Alliance

Notes: Personnel: Judith Owen (vocals, piano); Harry Shearer (vocals, electric bass, background vocals); Richard Thompson (guitar); Keb' Mo' (steel guitar); Greg Leisz (pedal steel guitar); Northwest Sinfonia (strings); Amasi Miller (accordion); Robert Walter (Hammond b-3 organ); Quinn (percussion); Cassandra Wilson (vocals); Larry Corbett (cello); Tom Scott (flute, saxophone); Tollak Ollestad (harmonica); Sean Hurley (double bass, electric bass); Jimmy Branly, Debra Dobkin (drums, percussion); Simon James. Audio Mixer: John Fischbach. Recording information: Ironwood Studios, Seattle, WA; O'Henry Studios, L.A; Piety Studios, New Orleans, LA; The Village Recorder, L.A. Photographer: Herman Leonard. Arranger: Hummie Mann. You'll probably find this album in the jazz section, but don't be fooled. Singer/songwriter/pianist Judith Owen is to jazz what Richard Thompson is to rock & roll -- a member of the loyal opposition, someone whose roots are both centuries deeper and more broadly contemporary than any easy genre designation can account for. On her fifth album, she opens with a brooding voice-and-piano arrangement of Deep Purple's "Smoke on the Water," and although her generally jazzy originals fill up most of the remainder of the program, she also takes excursions into both the jazz standard repertoire (a great version of "Night and Day," featuring Richard Thompson on guitar) and more pop-oriented fare (a slightly less revelatory take on the Police's "Walking on the Moon"). Her singing style is a sort of sultry cabaret croon, and almost always adds a slightly mysterious and subtly unexpected element to her interpretations -- whether it's the strangely separated scat vowels on "Train Out of Hollywood" or (less felicitously) her unnecessarily intense delivery on "These Foolish Things." Her own songs are some of the best things on this album, though her version of "Night and Day" is another clear highlight. Recommended. ~ Rick Anderson You'll probably find this album in the jazz section, but don't be fooled. Singer/songwriter and pianist Judith Owen is to jazz what Richard Thompson is to rock & roll -- a member of the loyal opposition, someone whose roots are both centuries deeper and more broadly contemporary than any easy genre designation can account for. On her fifth album, Lost and Found, she opens with a brooding voice-and-piano arrangement of Deep Purple's "Smoke on the Water," and although her generally jazzy originals fill up most of the remainder of the program, she also takes excursions into both the jazz standard repertoire (with a great version of "Night and Day," featuring Richard Thompson on guitar) and more pop-oriented fare (a slightly less revelatory take on the Police's "Walking on the Moon"). Her singing style is a sort of sultry cabaret croon, and almost always adds a slightly mysterious and subtly unexpected element to her interpretations -- whether it's the strangely separated scat vowels on "Train Out of Hollywood" or (less felicitously) her unnecessarily intense delivery on "These Foolish Things." Her own songs are some of the best things on this album, though her version of "Night and Day" is another clear highlight. Recommended. [This version of the album contains bonus material.] ~ Rick Anderson

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