Arrasando [Remaster]


Thalía
Release Date: 06/21/2011
Original Release:  2000
# of Discs:   1
Label: EMI Music Distribution

Disc: 1
1. Entre el Mar y una Estrella sound samples  real  |  windows media
2. Tumba la Casa sound samples  real  |  windows media
3. Entre el Mar y una Estrella - (Pablo Flores Club mix) sound samples  real  |  windows media
4. Arrasando - (Version Banda) sound samples  real  |  windows media
5. Rosalinda sound samples  real  |  windows media
6. Siempre Hay Carino sound samples  real  |  windows media
7. Pata Pata sound samples  real  |  windows media
8. Menta y Canela sound samples  real  |  windows media
9. Regresa a Mi sound samples  real  |  windows media
10. Suerte en Mi sound samples  real  |  windows media
11. Quiero Amarte sound samples  real  |  windows media
12. No Hay que Llorar sound samples  real  |  windows media
13. Arrasando sound samples  real  |  windows media
14. Reencarnation sound samples  real  |  windows media
15. Entre el Mar y Arrasando Medley sound samples  real  |  windows media

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Performer: Thalía
Distributor: EMI Music Distribution

Notes: Personnel includes: Thalia (vocals); Rene Toledo, Joel Somalian, Manny Lopez, Leonardo Quintero, Tim Mitchell (guitar); Ed Calle (alto, tenor & baritone saxophones); Kenny Anderson (alto & tenor saxophones); Tom Timko (alto & baritone saxophones); Heman "Teddy" Mulet (trumpet, trombone); Dana Teboe (trombone); Dan Shea (keyboards, drums, programming); Lawrence P. Demer (keyboards, programming, background vocals); Sal Cuevas (electric bass); Kike Santanader (bass, background vocals); Archie Pena (drums); Edwin Bonilla, Daniel Lopez, Alvaro Leon (percussion); Freddie Pinero, Jr. (programming); Angino Chinno, Lena Perez, Marco Flores, Jennifer Karr (background vocals). Producers: Kike Santander, Robert Blades, Emilio Estefan, Jr. Engineers include: Robb Williams, Charles Dye, Javier Garza. Recorded at Crescent Moon Studios, Miami, Florida. ARRASANDO won the 2001 Latin Grammy Award for Best Engineered Album. The album was also nominated for the 2001 Latin Grammy Award for Best Female Pop Vocal Album. If En Extasis and its breakthrough hit, "Piel Morena," established Thal�a as a prospective Latin pop artist in 1995, and if the Emilio Estefan, Jr.-produced Amor a la Mexicana established her as a sizzling sensation in 1997, then her likewise Estefan-produced Arrasando firmly established her as a full-fledged superstar in 2000, when it began spinning off its five hit singles. The album is a trendy one, very much of its time -- that is, right at the turn of the millennium, when high-intensity, trancy dance music was all the rage in fashionable circles. The bulk of Arrasando plays to that style, with its abundance of synthesizers and dance beats, as well as its ecstatic choruses, which seem to reach for the stars song after song. Trance music was peaking around this time, remember, and that style of dance music, which was the club sound of Europe and the coastal cities of the U.S., certainly informs Estefan's production here. It works relatively well for Thal�a. That's because she's not so much a singer as she is a personality, admittedly a very attractive one. So for much of Arrasando she mainly rides the rhythms, wrapping herself in bombastic production laden with synthesizer stabs and overdubbed background vocals. The result is probably too much for anyone not inclined to dance madly; this especially goes for the title track, which is tailor-made for peak-hour club play. However, there are several slower songs that help relieve the intensity, most notably the airy "Entre el Mar y una Estrella" and the soothing "No Hay Que Llorar." Once the opening run of singles comes to an end, the album ironically gets more interesting, as Thal�a tries out different styles to varying yet generally fun effect. The album closes with "Rosalinda," the theme song of Thal�a's telenovela of the time. It's the most traditionally Mexican song on the set and does stand out because of that, but again, in a fun sort of way, especially given its substance and its album-closing sequencing. To step back for a moment and put Arrasando in perspective, it certainly differs from its predecessor (Amor a la Mexicana) and successor (Thalia). All are among her best efforts, with Arrasando being probably the most contrived. It's more adventurous than the streamlined Thalia, yet it's not as free-flowing as Amor a la Mexicana. Of the three, it surely sounds the most dated, and for all these reasons, it's a strangely curious album, very evocative of its time. ~ Jason Birchmeier
Born in Mexico, Thalia Sodi started her performing career before the age of 10, and she quickly went on to become a popular teen singer and soap opera actress in her native country. In 2002, Thalia began work on crossing over to a wider American audience, a transition aided by her marriage to record executive Tommy Mottola. Blending her Latin pop sensibility with a variety of styles, including R&B and hip-hop, proved to be successful. Following the release of her 2003 English-language debut, THALIA, the Mexican songstress turned her attention to a clothing line, a fragrance, and even a monthly magazine bearing her name.
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