Garcia Plays Dylan

Performer: Jerry Garcia
Artist: Grateful Dead
Engineer: Joe Gastwirt
Producer: Peter Mcquaid (Compilation); Blair Jackson (Compilation)
Distributor: WEA (Distributor)

Notes: Tributee: Bob Dylan. Personnel: Jerry Garcia (vocals, guitar); Jerry Garcia; Bob Weir (guitar); Martin Fierro (saxophone); Keith Godchaux (piano, background vocals); Nicky Hopkins (piano); Merl Saunders (organ); Melvin Seals, Ozzie Ahlers, Vince Welnick, Brent Mydland (keyboards); David Kemper, Johnny DeFoncesca, Bill Vitt, Buzzy Buchanan, Mickey Hart, Ron Tutt, Bill Kreutzmann (drums); Donna Jean Godchaux, Jackie LaBranch, Gloria Jones (background vocals); Grateful Dead. Audio Mixer: Mike McGinn. Liner Note Author: Blair Jackson. Recording information: Copps Coliseum, Hamilton, Ontario, Canada (01/25/1973-07/08/1995); Frost Amphitheaters (Stanford University), Palo Alto, C (01/25/1973-07/08/1995); Keystone, Berkeley, CA (01/25/1973-07/08/1995); Oakland Coliseum, Oakland, CA (01/25/1973-07/08/1995); Oriental Theater, Milwaukee, WI (01/25/1973-07/08/1995); Santa Cruz Civic Auditorium, Santa Cruz, CA (01/25/1973-07/08/1995); Soldier Field, Chicago, IL (01/25/1973-07/08/1995); Sullivan Stadium, Foxboro, MA (01/25/1973-07/08/1995); The Boarding House, San Francisco, CA (01/25/1973-07/08/1995); The Stone, Sand Francisco, CA (01/25/1973-07/08/1995); Warfield Theatre, San Francisco, CA (01/25/1973-07/08/1995). Photographers: Roberto Rabanne; Herbert Greene; Roger Ressmeyer; Mary Ann Mayer; Ken Friedman. This double-disc anthology works well as a thematic companion to Postcards of the Hanging: The Grateful Dead Perform the Songs of Bob Dylan (2002). Similarly, Ladder to the Stars: Garcia Plays Dylan (2005) examines the unique relationship between the pair, featuring Jerry Garcia (guitar/vocals) in a variety of musical settings spanning nearly a quarter century. While the occasional exception exists, the contents are primarily presented in a chronological fashion. Rather than going all the way back to the pre-psychedelic Grateful Dead -- when the band included covers of "It's All Over Now, Baby Blue" and "She Belongs to Me" in its repertoire -- the earliest inclusion finds Garcia fronting a quartet alongside Merl Saunders (organ) through a blues-infused treatment of "It Takes a Lot to Laugh, It Takes a Train to Cry." Dylan provided Garcia with perhaps his most intimately interpreted material. As the liner notes point out, Garcia felt "...right in those songs." Adding, "When I sing them I feel like I could have written them. I relate to them that well." Nowhere can that symbiotically beneficial relationship be heard better than the profound and practically spiritual "Positively 4th Street" circa the mid-'70s Jerry Garcia Band with Nicky Hopkins (piano) and Ron Tutt (drums). Garcia also chose obscure, deeper album tracks, making them very much his own. Examples abound, ranging from the brooding and methodical "Wicked Messenger" -- courtesy of the short-lived Legion of Mary -- to the exploratory funk driving "Tough Mama." On the opposite side of the backbeat are the lamenting "Knockin' on Heaven's Door" and a humbling, if not reverential reading of "I Shall Be Released." By the mid-'80s the quality of Garcia's solo endeavors equalled -- if not surpassed -- that of the Grateful Dead. One constant was an ever-expanding stable of Dylan tunes. One of the songs that Garcia shared with both was the rollicking "When I Paint My Masterpiece." When it turned up -- usually in the first set of Dead shows -- Bob Weir (guitar/vocals) took the lead. Here, listeners are treated to a Garcia Band run through guided by some simply smouldering solos from the guitarist. Presumably in an effort to offer unreleased nuggets, the unplugged early-'90s take of "She Belongs to Me," with just Garcia, Weir, and Phil Lesh (bass), was passed over for a rendering by the 1990-era Grateful Dead. The band sounds spent and probably was as this particular performance happened to be the second of a rare double encore. An emotive and gripping "Se�or (Tales of Yankee Power)" by the Jerry Garcia Band and the poignant "Visions of Johanna" taken from the Grateful Dead's penultimate live show on August 8, 1995, are among the remaining highlights. ~ Lindsay Planer Given that Bob Dylan and the Grateful Dead were no strangers (see 1989's DYLAN & THE DEAD live album), it's not surprising that the late Jerry Garcia frequently covered the rock bard in concert, with both the Dead and other ensembles. This two-disc set collects 15 of Garcia's live takes on Dylan songs recorded at various shows between 1973 and 1995. Garcia's love of the extended jam is on full display here, with many of these renditions transforming Dylan's folk/rock classics into lengthy instrumental workouts, particularly on the positively swingin' 12-minute take on "Tangled Up in Blue" and the 17-minute-plus "Knockin' on Heaven's Door," which moves from a slow, melancholy opening to a soulful, uplifting finale.

Though he was chiefly known as the leader of the Grateful Dead, Jerry Garcia was much more than that. For many, he was the embodiment of the freewheeling artistic spirit of the 1960s. A masterly guitarist and songwriter, and a highly underrated vocalist, Garcia was a true music lover, involving himself in numerous non-Dead projects over the years, including a duo with mandolinist David Grisman, a bluegrass supergroup (Old & In The Way), and jazzy one-offs with the likes of Merl Saunders and Howard Wales. His death in 1995 robbed the world of one of its most distinctive musical voices, but happily, Garcia left a wealth of music behind for fans to treasure.

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