TutuMiles Davis
Release Date: 07/07/1987
Original Release:
1986
# of Discs:
1
J&R Item # 62860_CD
UPC # 075992549028
Label: Warner Bros. Records (Record Label)
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: Miles Davis
Artist: Marcus Miller; Adam Holzman; George Duke; Michal Urbaniak; Paulinho Da Costa; Bernard Wright Distributor: WEA (Distributor) Notes: Personnel: Miles Davis (trumpet); Marcus Miller (various instruments, bass, programming); George Duke (various instruments); Michael Urbaniak (electric violin); Adam Holzman (synthesizer, programming); Bernard Wright (synthesizer); Omar Hakim (drums, percussion); Steve Reid, Paulinho Da Costa (percussion); Jason Miles (programming). Producers: Tommy LiPuma, Marcus Miller, George Duke. Engineers: Peter Doell, Eric Calvi, Erik Zobler. After 30-plus years with Columbia Records, Miles Davis departed to sign with Warner Brothers Records. TUTU finds Miles entering the world of MIDI, chaperoned by former sideman, Marcus Miller and pop jazz hitmaker Tommy LiPuma, and beat box music would never be the same again. TUTU is the birth of a new kind of cool, based on the emblematic street beats of the mid-1980s, brimming over with orchestrally-styled keyboard programming. The album is a showcase for Miles' evocative muted horn, functioning like a featured vocalist. Not since his work with Gil Evans had Miles deferred so much to a collaborator, and TUTU is a platform for the arranging talents of Miller, who in addition to his distinctive, popping bass lines, plays nearly every instrument on the session--from keyboards to bass clarinet. And from "Tomass" through "Full Nelson," funk is the order of the day. A tune such as "Perfect Way" sets up a striking call and response between major and minor themes, so that Davis is never simply blowing over repetitive modes. "Don't Lose Your Mind" employs an infectious reggae groove, driving rhythm samples and a taut violin solo by Michael Urbaniak to set up Miles' re-entrance on open horn in a related key center. The title tune colors a catchy shuffle in a rich plumage of contrary motion and secondary themes, while "Portia" reprises a favorite Spanish air, employing synthesizers to parallel the deep brass voicings Gil Evans used so effectively on SKETCHES OF SPAIN. TUTU is a compelling excursion into contemporary pop waters.
Few musicians have managed to change the course of music--trumpeter Miles Davis did it several times. An early disciple of Charlie Parker, Davis created an austere, understated approach that became the model for cool. His superb albums in the 1950s made him a star, and in the following decade, he brought small-group jazz to the limit before he unapologetically (and, for some, unforgivably) took on jazz-rock. After a break, he re-emerged in the '80s with a mixture of pop and dense, bristling funk. All the while, his refusal to follow anyone but his own muse made him both a hero and an enigma--either way, he was one of the most magnetic, influential figures in American music.
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Baker, Chet (Trumpet/Vocals/Com Botti, Chris Brecker, Randy Brown, Clifford (Jazz) Chambers, Paul Coltrane, John Corea, Chick DeJohnette, Jack Dorham, Kenny Dorough, Bob Evans, Bill (Piano) Evans, Gil Garland, Red Hancock, Herbie Harrell, Tom Hubbard, Freddie Jarrett, Keith Jones, Philly Joe Konitz, Lee Marsalis, Wynton McLaughlin, John (Jazz) McLean, Jackie Miller, Marcus Mulligan, Gerry Navarro, Fats Roach, Max Rollins, Sonny Roney, Wallace Scofield, John Shorter, Wayne Talking Heads Williams, Tony (Drums) Zawinul, Joe
Influences:
Armstrong, Louis Beiderbecke, Bix Brown, James Eldridge, Roy Ellington, Duke Gillespie, Dizzy Hackett, Bobby Hendrix, Jimi Jamal, Ahmad James, Harry Monk, Thelonious Parker, Charlie Stockhausen, Karlheinz Terry, Clark
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