Grantstand [Remaster]

Performer: Grant Green
Artist: Jack McDuff; Yusef Lateef
Engineer: Rudy VanGelder...
Producer: Alfred Lion...
Distributor: EMI Music Distribution

Notes: Personnel: Grant Green (guitar); Yusef Lateef (tenor saxophone, flute); Jack McDuff (organ); Al Harewood (drums). Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on August 1, 1961. Originally released on Blue Note (4086). Includes liner notes by Nat Hentoff and Bob Blumenthal. Grant Green's third album to be released, Grantstand teams the clear-toned guitarist with an unlikely backing group of musicians who rarely appeared with Blue Note otherwise: tenor saxophonist Yusef Lateef (who doubles on flute), organist Brother Jack McDuff, and drummer Al Harewood. Although Lateef was beginning to delve deeply into Eastern tonalities and instruments around the same time, his playing here is pretty straightforward and swinging, fitting the relaxed, bop-tinged soul-jazz that makes up most of the session. For his part, McDuff is mellower than his usual ferocious self, laying back and swinging with a blissful ease. Green contributes two bluesy originals, the nine-minute title track and the 15-minute "Blues in Maude's Flat," which are turned into loose, loping jams that rank as some of the best examples of Green's ability to work an extended groove. (The CD bonus track, "Green's Greenery," is in much the same vein, though not as long.) Elsewhere, Green leads a delicate, sensitive exploration of "My Funny Valentine" that ended up as his greatest standard performance to date, setting the stage for a great deal more work in this vein that was soon to be forthcoming (including his brilliant sessions with Sonny Clark). Still, the groove is what reigns supreme for most of the album; if you're looking for Green the soul-jazz groovemaster, Grantstand is an excellent place to find him. ~ Steve Huey

St. Louis-born guitarist Grant Green was a giant of what came to be known as soul-jazz. His singular style incorporated the influences of Gospel, blues, and R&B, and defined a unique post-bop language for electric guitar. His classic early-1960s Blue Note recordings are high-water marks of both the soul-jazz sound and of jazz guitar in general. Drug abuse sadly hampered his later career; he died in 1979, but his son, the jazz guitarist Grant Green, Jr., continues his legacy.

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