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Born To Be Blue

Freddie Hubbard
Release Date: 02/12/1996
Original Release:  1981
# of Discs:   1
J&R Item # 67073_CD
UPC # 025218673426
Label: Original Jazz Classics
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Track Details Credits Artist Related Shipping
Disc: 1
1. Gibraltar sound samples  real  |  windows media
2. True Colors sound samples  real  |  windows media
3. Born to Be Blue sound samples  real  |  windows media
4. Joy Spring sound samples  real  |  windows media
5. Up Jumped Spring sound samples  real  |  windows media

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Performer: Freddie Hubbard
Artist: Harold Land; Billy Childs; Steve Houghton
Engineer: Allen Sides
Producer: Freddie Hubbard
Distributor: Fantasy (distributor)

Notes: Personnel: Freddie Hubbard (trumpet); Harold Land (tenor saxophone); Billy Childs (keyboards); Larry Klein (bass); Steve Houghton (drums); Buck Clark (percussion). Recorded at Ocean Way Recording Studio, Hollywood, California on December 14, 1981. Digitally remastered by Phil De Lancie (1992, Fantasy Studios, Berkeley, California). Hubbard is possessed of one of the purest gifts and hard-work ethics in contemporary jazz, and both are on display here. This Pablo recording was originally released in 1982 then digitally re-mastered and re-released in '92. Hubbard and his trumpet are back to exploring the roots of his creative genius here after an extended venture into the more commercial soul-funk crossover market. Joining Hubbard is Harold Land (tenor saxophone), frequent Hubbard collaborator Billy Childs (piano), Larry Klein (bass), Steve Houghton (drums), and Buck Clark (percussion). The sextet immediately settles into a special zone on Hubbard's composition "Gibralter," working a cool Latin groove for all it's worth. Hubbard has often been linked in the lineage of jazz trumpeting to the late, great Clifford Brown. That connection becomes beautifully apparent on Brown's "Joy Spring," as Hubbard's soloing combines reverence with his own unique sonic curiosity. BORN TO BE BLUE is Hubbard truly at home.
Freddie Hubbard has always been a trumpet player of great facility, suppleness, and polish. Following his breakthrough with the Jazz Messengers in the late '50s, his burnished tone became a focal point of innumerable Blue Note albums of the '60s, both as leader and sideman. After a foray into fusion in the '70s, he returned to the hard bop of his early career.
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PID # 3915639


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