Hub Cap [Bonus Tracks] [Remaster]

Performer: Freddie Hubbard
Artist: Julian Priester; Jimmy Heath; Cedar Walton; Philly Joe Jones
Engineer: Rudy Van Gelder
Producer: Alfred Lion; Michael Cuscuna (Reissue)
Distributor: EMI Music Distribution

Notes: Personnel: Freddie Hubbard (trumpet); Jimmy Heath (tenor saxophone); Julian Priester (trombone); Cedar Walton (piano); Larry Ridley (bass); Philly Joe Jones (drums). Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on April 9, 1961. Includes liner notes by Leonard Feather and Bob Blumenthal. Personnel: Freddie Hubbard (trumpet); Jimmy Heath (tenor saxophone); Julian Priester (trombone); Cedar Walton (piano); Philly Joe Jones (drums). Audio Remasterer: Rudy Van Gelder. Liner Note Authors: Leonard Feather; Bob Blumenthal. Recording information: Van Gelder Studios, Englewood Cliffs, NJ (04/09/1961-??/??/2002). Photographer: Francis Wolff. On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed blessing. There's no question that much of this music is enjoyable, but it's not quite up to the standards of its two predecessors. Part of the problem is Hubbard's sextet, which features tenor saxophonist Jimmy Heath, trombonist Julian Priester, pianist Cedar Walton, bassist Larry Ridley, and drummer "Philly" Joe Jones. All of the musicians are talented, but only a few are inventive, and that becomes a problem, since it becomes clear that Hubbard is beginning to break free from his influences and develop his own style. In other words, he's capable of more adventurous music than this straight-ahead hard bop. That said, Hub Cap is a very good hard bop date. There is energy to the performances, and the artist's vigorous, inspired playing continues to impress, as do some of his original compositions. Only when compared to Hubbard's first two records, or what would come later, does Hub Cap seem like a lesser effort. ~ Stephen Thomas Erlewine On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed blessing. There's no question that much of this music is enjoyable, but it's not quite up to the standards of its two predecessors. Part of the problem is Hubbard's sextet, which features tenor saxophonist Jimmy Heath; trombonist Julian Priester; pianist Cedar Walton; bassist Larry Ridley; and drummer Philly Joe Jones. All of the musicians are talented, but only a few are inventive, and that becomes a problem, since it becomes clear that Hubbard is beginning to break free from his influences and develop his own style. In other words, he's capable of more adventurous music than this straight-ahead hard bop. That said, Hub Cap is a very good hard bop date. There is energy to the performances, and the artist's vigorous, inspired playing continues to impress, as do some of his original compositions. Only when compared to Hubbard's first two records, or what would come later, does Hub Cap seem like a lesser effort. [Also available with bonus tracks.] ~ Stephen Thomas Erlewine

Mojo (Publisher) (5/03, p.116) - 3 stars out of 5 - "...Hubbard pushes himself to feats of musical daring and emerges triumphant..."

Freddie Hubbard has always been a trumpet player of great facility, suppleness, and polish. Following his breakthrough with the Jazz Messengers in the late '50s, his burnished tone became a focal point of innumerable Blue Note albums of the '60s, both as leader and sideman. After a foray into fusion in the '70s, he returned to the hard bop of his early career.

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