Pony Blues: His 23 Greatest Songs

Charley Patton
Release Date: 04/01/2004
Original Release:  1999
# of Discs:   1
  J&R Item # 699523_CD
  UPC # 805520060400
Label: Proper Records (UK)
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Track Details Credits Artist Related Shipping
Disc: 1
1. Down the Dirt Road Blues
2. Pony Blues
3. Peavine Blues
4. Spoonful Blues
5. Shake It & Break It (But Don't Let It Fall, Mama)
6. Prayer of Death, Pt.1
7. Prayer of Death, Pt.2
8. Devil Sent the Rain Blues
9. Frankie & Albert
10. Green River Blues
11. Hammer Blues
12. Magnolia Blues
13. Heart Like a Railroad Steel
14. Jim Lee Blues Pt.1
15. Jim Lee Blues Pt.2
16. High Water Everywhere Pt.1
17. High Water Everywhere Pt.2
18. Dry Well Blues
19. Some Summer Day
20. Moon Going Down
21. Bird Nest Bound
22. High Sheriff Blues
23. Revenue Man Blues
24. Poor Me
25. Hang It on the Wall

Performer: Charley Patton
Distributor: MSI Music Distribution

Notes: PONY BLUES features 25 remarkable tracks from Charley Patton. You could make a valid case that anything recorded by Charley Patton is seminal to the history of blues. These, however, are the secular pieces (in his final 1934 session he also recorded some religious titles) on which his reputation stands, and upon listening it's easy to understand why. He sang and played with total conviction, and so much of his repertoire has become standard over the years. Listen to "Pony Blues," for example, from his first session in 1929, and you can not only hear his haunting voice, but some superb guitar work, utterly individual and far ahead of anything else that was being record at the time. This was the real blues, earthy, rich, and resonant of the South (Patton's experiences around Dockery's Plantation), performed with a power no one else could equal until Robert Johnson. That first session, which yielded 14 sides, was perhaps his best, and eight of the titles here are drawn from it, including "Peavine Blues," which has become a Delta blues classic. But maybe the high point came from his second session in late 1929 and "High Water Everywhere," Patton's song about the 1927 Mississippi floods that decimated the Delta region. It's a masterpiece of tension and storytelling that says as much now as when it was originally recorded. The last five titles on the disc come from the final session Patton recorded in New York in 1934. He was ailing by then, soon to die, and the difference five years made is easy to tell. He sounds tired and weary of the world. But that didn't stop him from performing a classic "High Sheriff Blues," another indispensable piece of Patton blues. Even if the blues didn't start with Patton, he was certainly one of the first truly great recorded blues singer/guitarists -- and the finest from the early days of the Delta blues. The sound quality might not be perfect, by any means, but the music stands. As an introduction to Charley Patton, this is unbeatable. ~ Chris Nickson The story of Delta blues starts with Charley Patton's slashing slide style, hoarse and gruff vocals, and unerring ability to personalize even the most mundane blues lyric. Patton's 78s have been collected in several fine packages, including the JSP box called Complete Recordings, Catfish's three-disc budget box called Definitive Charley Patton, and the last word in all this, the impressive (and expensive) seven-disc Screamin' and Hollerin' the Blues from Revenant Records. This single-disc selection from Proper works as an inexpensive single-disc introduction to Patton, and it contains his best-known songs like "Pony Blues," the two-part "High Water Everywhere," "Down the Dirt Road Blues," "High Sheriff Blues," and "Revenue Man Blues." Since Patton's rhythms and overall approach can be repetitive at times, casual listeners wondering what all the fuss is about might be better served with a single disc like this one that hones things down a bit, but Patton's work is both the Big Bang and the epicenter of country blues, so going a little deeper and springing for one of the box sets is well worth the time and expense. ~ Steve Leggett
Charley Patton's gruff vocals and maniacal guitar style set the pace for Mississippi Delta blues in the 1920s, inspiring a generation of bluesmen that included Son House, Bukka White, and Robert Johnson. Patton died prematurely of heart failure in 1934, leaving behind fewer than 70 recorded sides.

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PID # 4083704



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