For Blood And Empire [PA]

Performer: Anti-Flag
Engineer: Dave Schiffman
Producer: Dave Schiffman; Anti-Flag; Dave Schiffman; Anti-Flag
Distributor: Sony Music Distribution (

Notes: Anti-Flag: Chris #2 (bass guitar); Justin Sane, Pat Thetic, Chris Head. Personnel: Justin Sane, Chris Head (vocals, guitar); Pat Thetic (vocals, drums); Chris #2 (vocals); Tom Morello (guitar); Norman Cowen, Chris Candy (trumpet); Lenny Castro (percussion). Audio Mixer: David Schiffman. Liner Note Author: Scott Goodstein. Recording information: Steakhouse Studios; Sunset Sound Studios. Editor: Dana Nielsen. Photographer: David Cooper. Pittsburgh punks Anti-Flag take on subjects like the Iraq war, the World Trade Organization, and uranium-tipped bullets in a set that's as full of energized rock & roll as it is of committed political diatribes. "Hymn for the Dead" packs a caustic lyrical punch, while "Confessions of an Economic Hit Man" crams a wealth of political theory into a slamming slab of punk rock. Pittsburgh punks Anti-Flag take on subjects like the Iraq war, the World Trade Organization, and uranium-tipped bullets in a set that's as full of energized rock & roll as it is of committed political diatribes. "Hymn for the Dead" packs a caustic lyrical punch, while "Confessions of an Economic Hit Man" crams a wealth of political theory into a slamming slab of punk rock. Though adamantly anti-major-label at one point in their career, Anti-Flag finally decided to emerge from the underground and make the leap from the indie world to the realms of RCA in April 2005. Thus, after being together for over ten years and boasting almost as many releases, For Blood and Empire marks Anti-Flag's entry into the big leagues. Fans and naysayers alike couldn't help but question the band's new label status leading up to the album's release. Could a group with such a brash, heated political agenda and in-your-face leftist politics actually -- and believably -- fit alongside Kelly Clarkson and the Strokes with their credibility intact? At the very least, the band's outrage and frustration hadn't been tempered. Anti-Flag was conceived pissed-off at the government (among other subjects), and things sure hadn't cooled down with George W and crew comfortably residing in the White House throughout the early 2000s. As would be expected then, For Blood and Empire is boiling over with vehement anti-Bush attacks and confrontational lyrics that overwhelmingly target the war in Iraq -- from war profiteering to consequences of depleted uranium to omnipresent propaganda to casualties on both sides of the fight. With all of the singalong, fist-in-the-air anthems still present (and more than enough background "woahs"), fans should at least be happy to hear that their beloved Anti-Flag hasn't compromised its grasp of the surging chorus. After all, the scrappiness and raw rage of earlier efforts gave way to the more pop-oriented and melodic nature of later work a few albums back, and this effort is no different. Even the opening notes of "I'd Tell You But..." are comfortingly familiar, as there's always been something about their guitar work that makes a song utterly Anti-Flag even before Justin Sane's distinctive vocals kick in. There's a sort of a ska-ish feel to "The Press Corpse" and "The W.T.O. Kills Farmers," while "This Is the End (For You My Friend)," could just as easily fit on a Good Charlotte record. And though the slight ramble of the acoustic-driven "1 Trillion Dollar$" sounds like Sane's solo work, it gets as close to country balladry as Anti-Flag is probably ever going to get. The album is a tad clean and subdued, but this doesn't necessarily detract from Anti-Flag's message, which comes across as loud and clear as it always does. Kids picking this up won't necessarily have to figure politics out on their own, as Anti-Flag tells them exactly what to think and the liner notes brim with quotes and explanations backing their ideas up further. So with a new home on RCA, the band is now kind of like the Hot Topic version of Propagandhi. Leftist beliefs with rounded edges that are accessibly packaged yet still offensive enough to some to be "punk." And while their convictions are assuredly sincere -- and the topics brought up important to discuss -- something about the band can't help to cause one to step back and raise an eyebrow a bit. Overall, and despite its major label status, For Blood and Empire is through and through another Anti-Flag album. Thus, those who enjoy the guys' political snottiness will find plenty to like here, but the album won't do anything to convert those who have always found them slightly annoying. ~ Corey Apar

Kerrang (Magazine) (p.57) - "Balancing adrenaline, imagination and a manifesto is a difficult task attempted by too few modern punk bands."

Pittsburgh-based anarcho-punks Anti-Flag have been expertly balancing a fierce leftist political agenda with a strong commercial acumen since their inception in the late-1980s. With a sound rooted in the fiery pop-punk of Stiff Little Fingers, the Clash, and other graduates of England's Class of '77, Anti-Flag bring a retro/purist element to the Warped Tour mentality of the '90s/2000s punk community. The politically active group was criticized for their decision to jump to a major label for 2006's BLOOD FOR EMPIRE, yet the band was seemingly able to avoid making any concessions artistically or ideologically (the album is ferociously anti-Bush administration) in the move, thus enabling their message to reach its largest audience yet.

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