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Ronnie Milsap [Bonus Track]

Ronnie Milsap
Release Date: 03/14/2006
Original Release:  1971
# of Discs:   1
J&R Item # 753964_CD
UPC # 090431770924
Label: Collectables Records
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Track Details Credits Artist Related Shipping
Disc: 1
1. Dedicate the Blues to Me sound samples  real  |  windows media
2. Sunday Rain sound samples  real  |  windows media
3. Please Don't Tell Me How the Story Ends sound samples  real  |  windows media
4. Sweet Little Rock and Roller sound samples  real  |  windows media
5. Blue Skies of Montana sound samples  real  |  windows media
6. Sanctified sound samples  real  |  windows media
7. Keep on Smiling sound samples  real  |  windows media
8. Cat Was a Junkie, The sound samples  real  |  windows media
9. Crying sound samples  real  |  windows media
10. Not for the Love of a Woman sound samples  real  |  windows media
11. Why sound samples  real  |  windows media

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Performer: Ronnie Milsap
Engineer: Dan Penn; Gene Eichelberger
Distributor: Gotham Distributing Corp.

Notes: Personnel: Ronnie Milsap (keyboards); Eddie Hinton, Gimmer Nicholson, James Burton, Johnny Christopher, Reggie Young , Tippy Armstrong, Wayne Perkins (guitar); Andrew Love, Ed Logan (tenor saxophone); Wayne Jackson (trumpet); Jackie Thomas, Jack Hale (trombone); David Briggs , Glen Spreen, Jim Dickinson, Bobby Emmons, Bobby Woods (keyboards); Gene Chrisman, Kenneth A. Buttrey, Roger Hawkins (drums); Hayword Bishop (percussion). Audio Mixers: Dan Penn; Ronnie Milsap; Terry Manning. Recording information: American Recording Studios, Memphis; Muscle Shoals Sound Studios, Muscle Shoals, AL; Quadrafonic Sound Studios, Nashville, TN. Photographer: Jim Marshall . On his 1971 debut, singer/pianist Ronnie Milsap presents a relaxed set of pop-tinged country tunes, essentially revealing the template for his long-running career. Although the mood of the album is laid-back and remarkably consistent, Milsap's gentle interpretation of Kris Kristofferson's "Please Don't Tell Me How the Story Ends" proves to be the standout track, and would go on to become one of the North Carolina native's signature tunes. Given Ronnie Milsap's sustained success as a country balladeer, it's a little surprising to revisit his eponymous 1971 debut and realize that he only dabbled in country at the outset of his career. To be sure, there are ballads and country music here, but the heart of this album is in Southern soul and R&B, indebted equally to Ray Charles' country-soul and Charlie Rich's soulful, bluesy blend of Southern sounds and how Elvis elaborated on Rich's innovations on his 1968 comeback. On this debut, Milsap isn't as distinctive a stylist as any of those three singers, but that's setting the bar pretty high; few interpretive singers are ever in the same league as Ray, Charlie, and Elvis. What is impressive on this LP is that Milsap is striving for that same kind of rootless roots music that combines bits of country, blues, soul, rock, and pop as these singers, often coming up with some remarkable music along the way. There are a few things here that Milsap would never try again -- there's a pretty hard-driving version of Chuck Berry's "Sweet Little Rock and Roller" and Dan Penn and Spooner Oldham's "Blue Skies of Montana" has a corny cinematic sweep that sounds pretty unusual in Milsap's hands, plus there's Roy Orbison and Joe Melson's silly but melodic "The Cat Was a Junkie," which ranks alongside Neil Diamond's "Pot Smoker's Song" as a wonderful piece of post-hippie kitsch -- but there are just as many moments that pointed the way to his future hits. In particular, there is a wonderful, sensitive reading of Kris Kristofferson's "Please Don't Tell Me How the Story Ends" and a sentimental cover of Orbison's "Crying," two styles that would treat Milsap well in the near future, while "Dedicate the Blues to Me" showcases his piano skills and "Sunday Rain" is a thickly layered AM pop gem that brings to mind such fine singles as "Smoky Mountain Rain." What's fascinating about this album is that it presents a gifted and versatile singer and pianist that could have pursued any number of paths based on this record -- and that it's possible to hear the path he took and the one that he didn't within the confines of this debut. And what's doubly fascinating is that those two paths add up to a musically cohesive album in their own right, making this album an excellent debut on its own terms, even if Ronnie Milsap didn't make Ronnie Milsap into a star. ~ Stephen Thomas Erlewine
Born blind, pianist Ronnie Milsap played a soulful, bluesy brand of country music that made him a superstar by the end of the '70s. Milsap was a former sessionman for Elvis Presley, Dionne Warwick and Petula Clark (among others). Milsap's passionate ballads, live shows and reworkings of pop and R&B standards brought him a record number of awards (including six Grammys) and multiplatinum sales. He continued to record and perform into the 2000s.
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PID # 4092020


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