Wolves In Wolves' Clothing

Performer: NOFX
Producer: Bill Stevenson; Jason Livermore; Fat Mike
Distributor: RED Distribution

Notes: NOFX: Fat Mike. In its three decades-and-counting career, NOFX has come to know its disaffected punk-rocker world inside out. So though WOLVES IN WOLVES CLOTHING features predictable diatribes against the early-21st century Bush presidency (("USA-holes")and the Bible Belt ("Leaving Jesusland"), it also skewers credit-card toting revolutionaries in "The Marxist Brothers" ("the people's revolution is going to be a podcast"), as well as including hymns to Midwestern drinking establishments (including the inspired rhyme of "Minnesota" with "drinking quota"). The band's high-energy punk-rock attack, the inspiration for successive generations of bands, is still intact, and though Fat Mike's lyrics on songs like "You Will Lose Faith" show signs of an increasingly fatalistic worldview, NOFX, contrarian stance and all, is still alive and kicking against the pricks. Although Wolves in Wolves' Clothing starts off with a promising bang, NOFX loses footing halfway in and stumbles downhill for the rest of the record. Maybe it shouldn't be a surprise when the first line of the amusing opening track proclaims, "I'm not here to entertain you...I'm here because old habits die hard/And seriously what else am I supposed to do?" But even so, expectations were pretty high coming into the album off their smartly wry EP Never Trust a Hippy, which was released a month earlier. Beginning well enough, the first half of Wolves is full of super-tight, tongue-in-cheek punk rock antics that make one think and laugh at the same time. "Seeing Double at the Triple Rock" is a seriously fun tune with charging guitar riffs that usher in drunken good times over at Dillinger Four guitarist Erik Funk's popular Minnesotan social club. NOFX's unabashed distaste for George W. and his cronies emerges blatantly in the thick bass of "USA-holes" and less outwardly in the bouncy, country-ish saunter of "The Man I Killed." Fat Mike also addresses the war in Iraq differently than just outright attacking the government -- a junkie friend successfully cleans himself up by joining the Army, only to later get killed in "Benny Got Blowed Up." Serious topics (including many attacks on overzealous Bible-thumpers) tempered with NOFX's trademark sarcastic nature soon become much shorter and less fun near the album's middle. The trouble isn't that the songs are just short -- quick in-and-out blasts are normally quite satisfying -- it's that these tunes just seem unfinished or plain forgettable. A few exceptions appear, like the brash "100 Times F*ckeder" or the sentimental quasi-elegy to friends lost over the years in "Doornails," but it's not enough to make the hodgepodge feeling of filler songs near the end disappear. Thus, Wolves in Wolves' Clothing simply lacks that cohesive sense of being an entire album to enjoy. It's not that NOFX have lost their ability to offend, mock, challenge, and entertain in one sardonic, glistening package. Just the opposite, actually: over two decades old, the band really sounds as tight, relevant, and sharp as ever. It's just that the second half seems a bit lazy overall, which makes the inherent lack of fun all the more frustrating. ~ Corey Apar

Kerrang (Magazine) (p.49) - "WOLVES...sees them returning to their time-honoured tradition of thrashing about in as many directions as an epileptic octopus."

NOFX formed in 1983, but these goofy California punk rockers didn't make their first full-length album until 1988, when Bad Religion's Brett Gurewitz offered to record the band. More musically adventurous than many of their peers, NOFX and their humorous hardcore started to win over a sizable audience with 1990's RIBBED. From this point, the group (led by Fat Wreck Chords owner Fat Mike) hit a stride of entertaining albums. Fat Wreck Chords continues to put out releases by NOFX and other punk acts.

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