Press The Eject And Give Me The TapeBauhaus (UK)
Release Date: 06/27/1995
Original Release:
1982
# of Discs:
1
J&R Item # 81181_CD
UPC # 607618003821
Label: Beggars Banquet (USA)
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: Bauhaus (UK)
Artist: Nico Distributor: Alternative Dis. Alliance Notes: PRESS THE EJECT AND GIVE ME THE TAPE was originally released as a limited-edition bonus disc given away with copies of THE SKY'S GONE OUT. Bauhaus: Daniel Ash (vocals, guitar); David J. (vocals, bass); Peter Murphy (vocals); Peter Haskins (drums). Recorded live in London, England; Liverpool, England; Manchester, England; Paris, France. Recorded live at various venues between 1981 and 1982, PRESS THE EJECT AND GIVE ME THE TAPE is a muscular set of some of Bauhaus' best tracks. Incidentally, these tracks were recorded on the same tour that was filmed for the band's on-screen performance of "Bela Lugosi's Dead" in the 1983 film, THE HUNGER. PRESS THE EJECT features a striking version of John Cale's "Rosegarden Funeral Of Sores," a particularly spooky run-through of "Hollow Hills" that out-creeps the studio version on MASK, and the punk rock fuzz-out of "Dark Entries." Of course, "Bela�" appears here as well, in a luxurious nine-and-a-half-minute version. Washed in feedback and ever-so-subtly accelerating and decelerating, this song is the true center of "Goth" mythology. The disc is filled out with live tracks from the band's singles-the best of which is a blistering performance of "Double Dare"-and an unreleased live version of MASK's "Of Lillies And Remains." The last track, a cover of the Velvet Underground classic "Waiting For The Man," features sometime V.U. member Nico on vocals. Some live albums are not worth the energy required to listen to them. PRESS THE EJECT is not one of those albums.
Ultimately, Bauhaus became known as the godfathers of the goth scene, but their brief, prolific career (1979-1983) showed far more stylistic variation than their progeny might suggest. They mixed Bowie/Eno-influenced postpunk with dub, electronics, and a moody sense of songcraft that was both unnerving and infectious. After the group's breakup, singer Peter Murphy went on to a solo career, while guitarist David J formed the considerably poppier Love And Rockets. From 1998 on, the band would occasionally re-form for concert tours.
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