Saw Delight

Performer: Can
Engineer: Rene Tinner
Producer: Can; Rebop Kwaku Baah
Distributor: Caroline Distribution

Notes: Can: Michael Karoli (vocals, guitar, electric violin); Irmin Scmidt (vocals, keyboards); Holger Czukay (vocals, synthesizer); Rosko Gee (vocals, bass); Jaki Liebezeit (vocals, drums); Reebop Kwaku Baah (vocals, percussion). Recorded at Inner Space Studio, Weilerswist, Germany in 1977. This is a Super Audio CD playable only on Super Audio CD players. Can's final album to feature Holger Czukay; the remaining members would make two more, OUT OF REACH and CAN, before splitting in 1979. 1977's SAW DELIGHT is also the album which introduces bassist Rosko Gee and percussionist Reebop Kwaku Baah, two ex-members of Traffic whose backgrounds in jazz and African music fundamentally changed Can's sound. While the group was always attuned to the nuances of rhythm, the entrance of Gee and Kwaku Baah took this interest to new and intoxicating heights. These songs, especially the cut-up electronics of "Animal Waves," benefit greatly from the heightened fluidity and rhythmic tension of the new, more powerful rhythm section. It's hard to say what's truly the greatest Can record, but SAW DELIGHT--bad title pun and all--is clearly a strong contender.

The Wire (p.53) - "The album was certainly funky, with 'Sunshine Day And Night' displaying highlife influences..."

Though they were one of the key bands of the 1970s Krautrock movement, Can always saw themselves as individualists. They were influenced more by composers like Stockhausen than by psychedelic rock, but this seminal German band combined their avant-garde tendencies with rock trappings and funk-inflected rhythms in an amazingly natural way, influencing subsequent generations of iconoclasts.

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