Sei Still, Wisse Ich BinPopol Vuh
Release Date: 05/23/2006
Original Release:
1981
# of Discs:
1
J&R Item # 873207_CD
UPC # 693723702421
Label: SPV
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Disc: 1
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Performer: Popol Vuh
Producer: Florian Fricke Distributor: Ryko Distribution Notes: Popol Vuh: Florian Fricke (vocals, piano); Renate Knaup (vocals); Daniel Fischelscher (guitar, drums). Recorded in 1980 and produced by Klaus Schulze, Sei Still, Wisse ICH BIN (Is quiet, knows I AM) is one of Popol Vuh's sacred music offerings. Like Hosianna Mantra nearly a decade before, this set is regal in its solemnity and in its intensity. Utilizing the Chorensemble der Bayerischen Staatsoper and the soprano saxophone stylings of Chris Karrer, Popol Vuh -- down to a three-piece with vocalist Renate Knaup fronting the choir, Fricke on piano and voice, and guitarist Daniel Fichelscher holding down the drum chair as well, this is a huge recording . Schulze's immediate mix, which brings the vocals into complete balance with the undulating, mantra-like instrumentation, is nothing less than stunning; from Tibetan-style prayer chants to Eastern Orthodox choral scales, from thundering bass drums and cymbals to snaky, elusive, sparse electric guitar lines and Fricke's trademark shimmering piano, each of this album's seven selections is its own kind of masterpiece. It is the perfect marriage of world music utilized in rock & roll fashion, and of both being placed at the service of the Sacred. It is nothing less than awe-inspiring. ~ Thom Jurek
With their early experiments in sky-touching electronic music, German group Popol Vuh are sometimes lumped in with the Krautrock bands of the 1970s, but they had been working their own territory from the beginning. Less interested in classical forms and intellectualism, keyboardist/composer Florian Fricke crafted mind-expanding ambient Moog pieces supported by tribal percussion that mimicked Indian ragas, African drum circles, and other ethnic influences. It was one of the first examples of "world fusion," uniting the best aspects of Western technology with second- and third-world sounds and forms. The band pursued this track into the '90s, and released 22 albums, including soundtracks to several Werner Herzog films.
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