Decemberunderground

Performer: AFI
Producer: Jerry Finn
Distributor: Universal Distribution

Notes: AFI: Davey Havok (vocals); Jade Puget (guitar); Hunter (bass guitar); Adam Carson (drums). On its seventh full-length album, AFI (A Fire Inside) reunites with renowned producer Jerry Finn for a strikingly dynamic outing that builds on its highly successful predecessor, SING THE SORROW. While the California-based goth-influenced band still excels at hard-edged punk-pop, as best revealed on the catchy anthem "Miss Murder," it also makes impressive forays into techno-tinged rock on the surging "Love Like Winter" and the brooding, Depeche Mode-like "37mm." Although DECEMBERUNDERGROUND's few "screamo" moments prove to be a bit distracting, particularly on "Kill Caustic" and "Afflication," they reinforce both frontman Davey Havok's vocal range and the group's willingness to journey around the stylistic map, resulting in a bold, assured record. AFI is a band lucky to own fiercely loyal fans who embrace -- and ultimately expect -- the gradual transformation the band has undergone with each album since 1999's Black Sails in the Sunset. Where many bands get called out for signing to a major label or even just maturing their sound over time, AFI fans have chiefly stayed devoted to their ever-evolving goth-punk heroes. With that in mind, Decemberunderground comes as AFI's follow-up to their ambitious major-label smash Sing the Sorrow. Due to the clever production tricks employed on that album, fans might expect even more intricate arrangements, sound effects, and sonic landscapes to emerge from the wintry packaging of Decemberunderground. To an extent this is true, but it's more that the cloudy gloom permeating their career thus far has lifted, allowing a relatively tighter and lighter overall album to emerge. Take the band's traditional prelude for instance: this time it's infused with stirring strings and an uplifting dance-pop beat that is a far cry from the dark and eerie call-to-arms chants of previous albums. And though "Kill Caustic" (and later "Affliction") brings AFI's earlier hardcore punch, if you thought "Girl's Not Grey" was poppy, check out this record's lead single, "Miss Murder." Despite a slightly ominous undertone, the glam-tinged song is damn near playful and sunny amid bouncy rhythms, vaguely industrial beats, background "hey!"s (courtesy of AFI's fan brotherhood, the Despair Faction), and a bassline that could have been swiped from Green Day. The band further dips its hand into new wave exploits ("37mm"), truly stirring choruses ("Summer Shudder"), stark electro vibrations ("Love Like Winter"), and the customary ballad ("Endlessly, She Said"). AFI even comes as close as they probably ever will to sounding like U2 in "The Missing Frame." Somehow, the guys have managed to combine hardcore instincts with dark emo-coated lyrics, synth shimmies, gothic aesthetics, and electronic beats into a sound that still remains wholly AFI. So maybe that's why fans have stuck by the band over all these years. Even as the guys stretch and flex their songwriting muscles, they never fail to remember where they came from, instead using their past work as the foundation to their essential growth. Decemberunderground may have more fully realized doses of pop and electronic music present, but the core of AFI's sound never strays too far from what listeners have grown to love about them in the first place. ~ Corey Apar

Rolling Stone (p.91) - 3 stars out of 5 -- "[T]here are moments on DECMBERUNDERGROUND that are poppier than anything AFI have ever done....A thoroughly enjoyable album to listen to..." Spin (p.81) - 3 stars out of 5 -- "DECEMBERUNDERGROUND sounds terrific....[It] has enough catchy refrains to make it a summer favorite for anyone looking to work out their aggressions." Kerrang (Magazine) (p.52) - "[F]ull of unpredictable high gloss anthems....The sound of AFI exceeding all expectations."

Hardcore revivalists-turned-goth-punks AFI ascended to a new level of stardom when they decided to slap on some eyeliner and embrace their inner Robert Smiths. After several independent releases, the Southern California-based outfit released their major-label debut, SING THE SORROW, in 2003 to much acclaim. That album's darker new-wave tendencies were taken one step further on 2006's DECEMBERUNDERGROUND. AFI's gloomier aesthetic was only given further validation by their legions of fans who dubbed themselves the Despair Faction.

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